{"title":"Method and Antimethod: Reflecting on Keguro Macharia’s Frottage","authors":"Lindsey B. Green-Simms","doi":"10.1080/13696815.2021.1925093","DOIUrl":null,"url":null,"abstract":"our society’s deep attachment to particular concepts of family. In reading Frottage, I wondered why we form such attachments. Perhaps we hold on to the genealogical imperative and to the family, because they have been imbued with so much social power – reinforced. Or perhaps it is that the work of relation – of being together – is already difficult and the structures of hetero-kinship are within the closest reach. Perhaps the attachment stems from wanting belonging; something to offer repair in the face of displacement. Regardless of the reason for the attachment, abolitionist thought refuses the acceptance of the current configuration of the world. Abolitionist though dares and demands us to imagine alternatives. In line with this, Macharia’s question “How do you want to be touched?” needs us to flesh out its answers. Taking this further, throughout Frottage, an underlying question reverberates: “How are we being held together?” Macharia thinks of relation as frottage – as rubbing together; the persistent, recurring meeting of bodies in space – and in doing so, prompts us to touch in more meaningful ways. For one, the concept does respond to differences by trying to conceal them. Within it, irritation is to be expected, rather than suppressed – it functions as a part of intimacy. This perspective on dealing with difference, in my view, has the potential to strengthen our collectives. In adopting Macharia’s perspective on intimacy, we might manage to sustain touch until it becomes holding. I love that there is potential for us to be held.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"228 - 232"},"PeriodicalIF":0.9000,"publicationDate":"2021-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/13696815.2021.1925093","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2021.1925093","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
our society’s deep attachment to particular concepts of family. In reading Frottage, I wondered why we form such attachments. Perhaps we hold on to the genealogical imperative and to the family, because they have been imbued with so much social power – reinforced. Or perhaps it is that the work of relation – of being together – is already difficult and the structures of hetero-kinship are within the closest reach. Perhaps the attachment stems from wanting belonging; something to offer repair in the face of displacement. Regardless of the reason for the attachment, abolitionist thought refuses the acceptance of the current configuration of the world. Abolitionist though dares and demands us to imagine alternatives. In line with this, Macharia’s question “How do you want to be touched?” needs us to flesh out its answers. Taking this further, throughout Frottage, an underlying question reverberates: “How are we being held together?” Macharia thinks of relation as frottage – as rubbing together; the persistent, recurring meeting of bodies in space – and in doing so, prompts us to touch in more meaningful ways. For one, the concept does respond to differences by trying to conceal them. Within it, irritation is to be expected, rather than suppressed – it functions as a part of intimacy. This perspective on dealing with difference, in my view, has the potential to strengthen our collectives. In adopting Macharia’s perspective on intimacy, we might manage to sustain touch until it becomes holding. I love that there is potential for us to be held.
期刊介绍:
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.