Disney and Disability: Media Representations of Disability in Disney and Pixar Animated Films

Jean Holcomb, K. Latham-Mintus
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引用次数: 1

Abstract

Since the merger of Walt Disney Animation Studios and Pixar Animation Studios, Disney has been lauded for creating more progressive content that includes representations of main characters from diverse backgrounds. However, progressive representations of disability (both physical and mental disability) have been slow to emerge in most mediums. The objective of this research is to examine whether portrayals of illness and disability in recent animated feature films produced by Walt Disney Animation Studios or Pixar Animation Studios depict progressive (or multicultural) narratives of disability versus traditional narratives of disability. We analyzed 20 of the most recent (i.e., 2008-2018) animated films from both studios with 9 films from Walt Disney Animation and 11 films from Pixar Animation Studios. Using thematic content analysis, a combination of pre-identified and emergent disability- and illness-related themes are described. Overwhelmingly, disability portrayals were traditional, with disability used to elicit pity or humor from the viewer and to indicate that characters were evil or old. Out of the 20 films, few progressive portrayals of disability were observed. Although Disney has been lauded for being more inclusive in their representations of characters, disability representations continue to perpetuate and reaffirm the stigmatization of disability.
迪士尼与残疾:迪士尼和皮克斯动画电影中残疾的媒体表现
自从华特迪士尼动画工作室和皮克斯动画工作室合并以来,迪士尼一直因创作更先进的内容而受到称赞,这些内容包括来自不同背景的主要角色的代表。然而,残疾(身体和精神残疾)的渐进表现在大多数媒体中出现得很慢。本研究的目的是研究沃尔特·迪斯尼动画工作室或皮克斯动画工作室最近制作的动画长片中对疾病和残疾的描绘是否描绘了进步(或多元文化)的残疾叙事与传统的残疾叙事。我们分析了这两个工作室最近的20部动画电影(即2008-2018年),其中9部来自华特迪士尼动画公司,11部来自皮克斯动画工作室。使用主题内容分析,结合预先确定和紧急残疾和疾病相关的主题进行了描述。绝大多数情况下,对残疾的刻画是传统的,残疾被用来引起观众的同情或幽默,并表明角色是邪恶或年老的。在这20部电影中,几乎没有观察到对残疾的进步描绘。尽管迪士尼因在角色表现上更具包容性而受到称赞,但残疾表现继续延续并重申残疾的污名化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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