A Benkei for Every Age: Musashibō Benkei as Palimpsest

Christopher J. Smith
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Abstract

This article traces the history of Benkei production—the production of texts concerning Musashibō Benkei—to show that the image of Benkei is not stable, but rather has been adapted and modified repeatedly since the fourteenth century according to the social, economic, political, and cultural climate, as well as the narrative needs, of various eras. Each new instance of Benkei production does not erase or overwrite the previous instances, but rather adds another layer to the cultural construct “Benkei.” This article is not intended to be a comprehensive overview of Benkei works, nor is it particularly an attempt to unearth obscure Benkei works. Instead, the article shows how literature and literary characters can be adapted and transformed over a long time frame. It addresses relatively well-known texts, but examines them in the context of a history of Benkei texts that reveal a shifting, changing image of Benkei responsive to historicized cultural environments.
每个时代的本经:武藏本经的重写本
本文追溯了本机制作的历史——关于武藏本机的文本的制作——以表明本机的形象并不是稳定的,而是自14世纪以来根据各个时代的社会、经济、政治和文化气候以及叙事需求而反复改编和修改的。每一个本基作品的新实例都没有抹去或改写以前的实例,而是为“本基”的文化建构增添了另一层。本文并非对本基作品进行全面综述,也不是特别试图挖掘晦涩的本基作品。相反,这篇文章展示了文学和文学人物是如何在很长一段时间内被改编和转变的。它涉及相对知名的文本,但将其放在本基文本的历史背景下进行研究,揭示了本基对历史化文化环境的变化和变化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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