Addendum to “Proprioceptive art: How should it be defined, and why has it become so popular?”

IF 2.4 4区 心理学 Q2 PSYCHOLOGY, EXPERIMENTAL
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引用次数: 1

Abstract

The author wishes to acknowledge that some of the ideas around the concept of ‘proprioceptive art’ developed in the paper are also shared by Prof. M. Schrenk (https://proprioceptive.art/#:∼:text=(6)% 20In%20proprioceptive%20art%2C,his%20or%20her%20exclusive%20audience) who was not explicitly mentioned by name in the article. While the acknowledgments to the paper thanked the organizers of the Prop Art workshop, which had proved very germane to the ideas developed in this chapter, Prof. Schrenk’s work was not mentioned by name, for which the author wishes to apologize. Those readers wishing to find out more about Schrenk’s thinking on the theme of proprioceptive art are directed to his 2014 book chapter (Schrenk, 2014).
“本体感觉艺术:它应该如何定义,为什么它变得如此受欢迎?”
作者希望承认,M.Schrenk教授也分享了论文中关于“本体感觉艺术”概念的一些观点(https://proprioceptive.art/#:~:text=(6)%20In%20本体感觉%20art%2C,his%20or%20her%20独占%20受众),文章中没有明确提到他的名字。虽然对论文的致谢感谢道具艺术研讨会的组织者,事实证明,该研讨会与本章中提出的想法非常密切,但Schrenk教授的作品没有被提及,作者对此表示歉意。那些希望了解更多关于施伦克关于本体感觉艺术主题的思考的读者可以参考他2014年出版的书中的章节(施伦克,2014)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
I-Perception
I-Perception PSYCHOLOGY, EXPERIMENTAL-
CiteScore
4.30
自引率
5.30%
发文量
39
审稿时长
12 weeks
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