The Knowledge of Carpenters from the Early Medieval Period to the Eighteenth Century in Setting Out Roofs and Buildings Without Geometry and Numerical Measurement

IF 0.1 4区 艺术学 0 ARCHITECTURE
P. Reed
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引用次数: 1

Abstract

The question of how medieval carpenters set out their work is an under-investigated topic of research. Advanced craft knowledge is needed for a study of this kind and, in that regard, this article is written from a master craftsman’s point of view. Domestic medieval roofs have consistently common roof pitches of 48°, 52°, 55° 1 and 58°, and roofs were being pitched long before the early scholars brought knowledge from the ancient world to England in the mid-twelfth century. Moreover, it is unlikely that master carpenters and masons had access to this knowledge until the early to mid-thirteenth century, and equally unlikely that the domestic carpenter had any knowledge of geometry until the seventeenth or eighteenth century. Instead, this article argues that medieval carpenters used a simple method of setting out using cord, which would obviate the need for measurement and geometry and whose common divisions correspond to the common pitches found in medieval buildings. This article is on a subject of ongoing debate in which there are a range of views, and it is anticipated that a response will be published in due course.
中世纪早期至18世纪木匠对无几何和数值测量的屋顶和建筑物放样的认识
中世纪的木匠是如何开始他们的工作的问题是一个未被调查的研究课题。这种研究需要先进的工艺知识,在这方面,这篇文章是从一个工艺大师的角度来写的。国内中世纪屋顶的坡度一直是48°,52°,55°1和58°,早在早期学者在12世纪中期将古代世界的知识带到英国之前,屋顶就开始倾斜了。此外,直到13世纪早期到中期,木匠师傅和泥瓦匠才可能接触到这些知识,同样,直到17世纪或18世纪,家庭木匠才可能拥有几何知识。相反,这篇文章认为,中世纪的木匠使用一种简单的方法,用绳子放线,这将消除对测量和几何的需要,其共同的划分对应于中世纪建筑中发现的共同的间距。这篇文章是关于一个正在进行的辩论的主题,其中有各种各样的观点,预计将在适当的时候发表回应。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Vernacular Architecture
Vernacular Architecture ARCHITECTURE-
CiteScore
0.70
自引率
50.00%
发文量
1
期刊介绍: Vernacular Architecture is the annual journal of the Vernacular Architecture Group, which was founded in 1952 to further the study of traditional buildings. Originally focused on buildings in the British Isles, membership and publications have increasingly reflected an interest in buildings from other parts of the world, and the Group actively encourages international contributions to the journal.
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