{"title":"Poetry as Praxis: The Hermeneutical Circle of Allen Tate and Paul Ricoeur","authors":"Robert Vaughan","doi":"10.1353/cea.2021.0025","DOIUrl":null,"url":null,"abstract":"Abstract:Allen Tate's own memorial as a poet will always be \"Ode to the Confederate Dead,\" a portrait of a meditative persona who surrenders to a sterile \"circularity of soul.\" Regardless, Tate the critic's work continues to demonstrate that his own \"personal dilemma [was] perhaps not so exclusive,\" and that his \"practical solution\" does survive in a post-theory era (\"Narcissus\" 600). Just as the \"positive and … productive notion of distanciation\" underlies and animates Paul Ricoeur's most important works of later hermeneutical phenomenology, Tate's similar \"solution\" became the enduring theme of his criticism in the decades following the publication of his most famous poem. The hermeneutical circle, defined in different terms and in different generations by two like-minded critics, allows what Ricoeur calls \"the moment of possession and of enjoyment\" while maintaining that \"representation is always … at a distance\" (Freedom and Nature 96).","PeriodicalId":41558,"journal":{"name":"CEA CRITIC","volume":"83 1","pages":"292 - 310"},"PeriodicalIF":0.1000,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"CEA CRITIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cea.2021.0025","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract:Allen Tate's own memorial as a poet will always be "Ode to the Confederate Dead," a portrait of a meditative persona who surrenders to a sterile "circularity of soul." Regardless, Tate the critic's work continues to demonstrate that his own "personal dilemma [was] perhaps not so exclusive," and that his "practical solution" does survive in a post-theory era ("Narcissus" 600). Just as the "positive and … productive notion of distanciation" underlies and animates Paul Ricoeur's most important works of later hermeneutical phenomenology, Tate's similar "solution" became the enduring theme of his criticism in the decades following the publication of his most famous poem. The hermeneutical circle, defined in different terms and in different generations by two like-minded critics, allows what Ricoeur calls "the moment of possession and of enjoyment" while maintaining that "representation is always … at a distance" (Freedom and Nature 96).
摘要:艾伦·泰特作为诗人的纪念将永远是《南军亡灵颂》,这是一幅沉思人物的肖像,他向贫瘠的“灵魂循环”投降。无论如何,作为评论家的泰特的作品继续证明了他自己的“个人困境也许并不那么独特”,而且他的“实际解决方案”在后理论时代(“Narcissus”600)仍然存在。正如“积极而富有成效的距离概念”是保罗·利科(Paul Ricoeur)后来的解释学现象学最重要的作品的基础和动力,泰特类似的“解决方案”成为他最著名的诗歌出版后几十年批评的持久主题。由两位志同道合的批评家以不同的术语和不同的时代定义的解释学循环,允许Ricoeur所说的“占有和享受的时刻”,同时保持“表现总是……在距离之外”(Freedom and Nature 96)。