Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, DVD. Produced by Pan Records, PAN 9609.
{"title":"Playing the Flute in Shanghai: The Musical Life of Dai Shuhong [沪上箫声:戴树红先生的音乐人生]. 2021. Directed by Helen Rees and Aparna Sharma, 84 minutes. In Chinese with English subtitles. Colour, DVD. Produced by Pan Records, PAN 9609.","authors":"Simon Debierre","doi":"10.1017/ytm.2022.24","DOIUrl":null,"url":null,"abstract":"De Huangjin Shidai.” (Kung Fu Stuntmen: There would have been no golden time of Hong Kong kungfu films without them). Sanlian Lifeweek (Sanlian Shenghuo Zhoukan), 21 September 2021. https://www.lifeweek.com.cn/art icle/138521. Steimer, Laura. 2021. Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance. Durham: Duke University Press. Wichmann, Elizabeth. 1991. Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press. Yung, Bell. 1989.Cantonese Opera: Performance as Creative Process. New York: Cambridge University Press. Yung, Sai-shing. 2006. “Moving Body: The Interactions Between Chinese Opera and Sction Cinema.” InHong Kong Connections: Transnational Imagination in Action Cinema, ed. Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-Kiu, 21–34. Durham: Duke University Press. Zhang Guoji. 2021. “Longhu Wushi Chenglong Man Paixi Wu Chuxian? Qian Jiale Jiehua Zhi Ju Xi Muhou Gongcheng” (Kung Fu Stuntmen: Jackie Chan was not interviewed because he was too busy with his own films? Chin Kar-lok explained that Chan was a fervent supporter behind the scene). HK01, 11 November 2021. https://www.hk01.com/sns/article/681996.","PeriodicalId":43357,"journal":{"name":"YEARBOOK FOR TRADITIONAL MUSIC","volume":"54 1","pages":"195 - 199"},"PeriodicalIF":0.7000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"YEARBOOK FOR TRADITIONAL MUSIC","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/ytm.2022.24","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
Abstract
De Huangjin Shidai.” (Kung Fu Stuntmen: There would have been no golden time of Hong Kong kungfu films without them). Sanlian Lifeweek (Sanlian Shenghuo Zhoukan), 21 September 2021. https://www.lifeweek.com.cn/art icle/138521. Steimer, Laura. 2021. Experts in Action: Transnational Hong Kong–Style Stunt Work and Performance. Durham: Duke University Press. Wichmann, Elizabeth. 1991. Listening to Theatre: The Aural Dimension of Beijing Opera. Honolulu: University of Hawaii Press. Yung, Bell. 1989.Cantonese Opera: Performance as Creative Process. New York: Cambridge University Press. Yung, Sai-shing. 2006. “Moving Body: The Interactions Between Chinese Opera and Sction Cinema.” InHong Kong Connections: Transnational Imagination in Action Cinema, ed. Meaghan Morris, Siu Leung Li, and Stephen Chan Ching-Kiu, 21–34. Durham: Duke University Press. Zhang Guoji. 2021. “Longhu Wushi Chenglong Man Paixi Wu Chuxian? Qian Jiale Jiehua Zhi Ju Xi Muhou Gongcheng” (Kung Fu Stuntmen: Jackie Chan was not interviewed because he was too busy with his own films? Chin Kar-lok explained that Chan was a fervent supporter behind the scene). HK01, 11 November 2021. https://www.hk01.com/sns/article/681996.