El arte de morir: Una aproximación a las concepciones del deceso humano en el Paleolítico Superior europeo

R. M. González, Larissa Mendoza Straffon
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引用次数: 2

Abstract

A partir del analisis de contextos arqueologicos con restos humanos y las manifestaciones rupestres del Paleolitico Superior europeo, se proponen dos principales formas de tratamiento mortuorio; uno dirigido a la dispersion y eventual desaparicion de los difuntos y otro centrado en su preservacion y retencion. En el primero se observa una tendencia a la difuminacion de las diferencias sociales y, en el segundo, se nota una distincion en funcion del grupo de edad y genero. Tras el cambio climatico y de patrones de asentamiento en el paso del Gravetiense al Magdaleniense y Epigravetiense, se percibe que, hasta cierto punto, las formas en que se inhumaban los diversos sectores sociales se tornaron mas homogeneas. Pero, reconociendo constantes, se concluye que las concepciones paleoliticas de la muerte conformaron un fenomeno de larga duracion en el que, pese a la existencia de modificaciones superficiales, pudieron mantenerse una serie de elementos mas centrales.   Based on a comparative analysis of archaeological burial contexts and rock art in the European Upper Palaeolithic, this paper suggests two main forms of mortuary practices for that period: one aimed at the disposal and eventual disintegration of the dead, and another focused on their preservation and retention. The earlier reveals an intention to disguise social differences, the latter, on the contrary, seems to represent an effort to singularize the gender and age-group of the deceased. It appears that, following the changes in climate and settlement patterns that took place after the Gravettian and into the Magdalenian and Epigravettian, the burial forms and practices pertaining to different social groups became more homogeneous, to some extent. However, we identify some continuous trends which lead us to conclude that the Paleolithic idea of death may be perceived as a long-term phenomenon that, despite superficial transformations, maintained some basic elements at its core.
死亡的艺术:旧石器时代晚期欧洲人类死亡概念的近似
通过对欧洲旧石器时代晚期人类遗骸和岩石表现的考古背景的分析,提出了两种主要的殡葬处理形式;一个是关于死者的分散和最终消失,另一个是关于他们的保存和保留。在第一种情况下,社会差异趋于模糊,而在第二种情况下,社会差异根据年龄和性别而有所不同。随着气候和定居模式的变化,从格雷夫特时代到马格达莱尼亚和外格雷夫特时代,人们可以看到,在某种程度上,不同社会阶层的埋葬方式变得更加同质。然而,在认识到常数的情况下,我们得出结论,旧石器时代的死亡概念形成了一种长期的现象,在这种现象中,尽管存在表面的变化,一些更核心的元素仍然存在。根据对欧洲上旧石器时代墓葬环境和岩石艺术的比较分析,本文提出了这一时期墓葬实践的两种主要形式:一种侧重于死者的处置和最终解体,另一种侧重于死者的保存和保留。前者揭示了掩盖社会差异的意图,而后者则相反,似乎是在努力区分死者的性别和年龄群体。在Gravettian之后,进入Magdalenian和Epigravettian的气候和定居模式的变化之后,不同社会群体的埋葬形式和做法在某种程度上变得更加同质化。然而,我们确定了一些持续的趋势,使我们得出这样的结论:旧石器时代的死亡观念可能被视为一种长期现象,尽管表面上发生了变化,但仍保留了一些基本元素作为其核心。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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