The Crisis of Brexit and Other Socio-Cultural Aspects of Silencing the Past through the Example of Anna Burns’ Milkman

Q4 Arts and Humanities
Porownania Pub Date : 2021-12-27 DOI:10.14746/por.2021.3.12
Marta Frątczak-Dąbrowska, Joanna Jarząb-Napierała
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引用次数: 0

Abstract

The present article scrutinizes the phenomenon of a systemic silencing of the past visible in recent socio-political challenges caused by Brexit, especially in the case of the Irish border. Due to the comparative character of the paper, the attention is targeted at a symptomatic amnesia manifested on the British and Northern Irish sides. Postcolonial melancholia, to use Paul Gilroy’s term, facilitated by a systemic whitewashing of British imperial past, is contrasted here with Northern Irish postcolonial amnesia understood as a personal and institutionalised suppression of the difficult memory of colonisation and violence. In what follows, the paper aims to show how these two phenomena meet in the conflict of Brexit and how literature comments on the current political, social and cultural issues such as Brexit based on the example of Anna Burns’ novel Milkman (2018). The article discusses the silence which has surrounded the issue of the Irish Border in Brexit debates, as well as looks at the Northern Irish reluctance to talk about their past as an unsuccessful attempt to escape the demons of the past.
从安娜·伯恩斯的送奶工看英国脱欧危机和“沉默过去”的其他社会文化层面
本文仔细研究了英国脱欧造成的最近社会政治挑战中,特别是在爱尔兰边境的情况下,对过去的系统性沉默现象。由于论文的比较性,注意力集中在英国和北爱尔兰方面表现出的症状性健忘症上。用保罗·吉尔罗伊的话说,后殖民忧郁症是由对英国帝国历史的系统性粉饰促成的,在这里与北爱尔兰后殖民健忘症形成对比,后者被理解为对殖民和暴力的艰难记忆的个人和制度化压制。在下文中,本文旨在以安娜·伯恩斯的小说《米尔克曼》(2018)为例,展示这两种现象在英国脱欧的冲突中是如何相遇的,以及文学如何评论英国脱欧等当前的政治、社会和文化问题。这篇文章讨论了英国脱欧辩论中围绕爱尔兰边境问题的沉默,并将北爱尔兰不愿谈论自己的过去视为逃离过去恶魔的失败尝试。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Porownania
Porownania Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
25
期刊介绍: The 2019 tercentenary of the publication of Daniel Defoe’s Robinson Crusoe provides the perfect opportunity to reconsider the global status of the Robinsonade as a genre. Its translations, transformations, and a gradual separation from the founding text by Daniel Defoe have revealed its truly international character, with the term ‘Robinsonade’ itself first used in the German literary tradition and the most enduring narrative structure established not so much by Defoe himself but by J.J. Rousseau and his commentary on Robinson Crusoe in Emile; or, On Education. This issue will address the circulation of the Robinsonade across cultures and national contexts, the adaptability of the form and its potential to speak to various audiences at different historical moments. We invite contributions on all aspects of the afterlives of the Robinsonade across languages and media, with a particular interest in contemporary variations on the theme.
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