Staging International Theatre Festivals in Mid-Pandemic Russia: An Interview with Roman Dolzhanskiy

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118266

J. Rowson

引用次数: 0

Abstract

Abstract Roman Dolzhanskiy speaks to James Rowson about the challenges of organising international theatre festivals in Russia during the COVID-19 pandemic and discusses how the New European Theatre (NET) Festival and Territory Festival have navigated the complex and frequently changing public safety restrictions in Russia.

查看原文本刊更多论文

在疫情中期的俄罗斯举办国际戏剧节——罗曼·多尔赞斯基访谈录

摘要Roman Dolzhanskiy向James Rowson讲述了在新冠肺炎大流行期间在俄罗斯组织国际戏剧节的挑战，并讨论了新欧洲戏剧节和领土节如何应对俄罗斯复杂且频繁变化的公共安全限制。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.