No man's land, everyone's land. Unity and nature in the cultural figures of the Antarctic Peninsula and surroundings

IF 0.2 4区 艺术学 0 ARCHITECTURE
Fulvio Rossetti
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引用次数: 0

Abstract

This paper studies the history of the Antarctic territory disputed by Argentina, Chile, and the United Kingdom in the context of the processes that culminated in the recent “Edenic” resignification of the white continent: the attribution of positive cultural values to its condition of pristine space, the consequent withdrawal of commercial exploitation activities, the promotion of its preservation and the minimization of any impact. Being a “shared” place links its history to various processes of incorporation into collective imaginaries and national territories with different yearnings moving each country in the framework of actions, reactions, and territorial meanings this paper try to delve into. Regarding a morphological dimension, it is suggested that the wishes of each one was strengthened by integration projects, linked to international competition scenarios, and associated with notions of territorial unity, mostly catalysed by critical historic moments. Regarding its symbolic dimension, it is suggested that territorial cultural values depend on how Antarctic nature has been conceived in different visions of his future that were basically structured in two aspects. One of these is related to the understanding of its pristine status, perceived as a source of resources to extract or "Eden" to preserve. Another relates to those who should benefit from it, whether national, international, or global communities. These approaches allow delving into the different stages of the incorporation processes through architecture projects, infrastructure, geopolitical strategies, and cartographies or even novels and photographs. Trying to overcome the paradigm of a conceptual separation between transformations of the land and its representations, these are understood as “figures”, cultural manifestations and fragments of discourses underlying the incorporation dynamics: different kind of elements that can be transversally read through the notions of unity and meanings of nature they support.
没有人的地盘,所有人的地盘。南极半岛及周边地区文化人物的统一性与自然性
本文研究了由阿根廷、智利和英国争议的南极领土的历史,这一过程最终导致了这片白色大陆最近的“伊甸园”式的放弃:将积极的文化价值归因于其原始空间的状况,随之而来的商业开发活动的退出,促进其保护,并将任何影响降到最低。作为一个“共享”的地方,它的历史与融入集体想象和国家领土的各种过程联系在一起,在行动、反应和领土意义的框架下,每个国家都有不同的渴望。在形态方面,有人建议,每个人的愿望都通过一体化项目得到加强,与国际竞争情景相联系,并与领土统一的概念相联系,主要是由关键的历史时刻催化的。关于其象征意义,有人建议,领土文化价值取决于如何在他对未来的不同愿景中构想南极自然,这些愿景基本上分为两个方面。其中之一与对其原始状态的理解有关,它被视为一种可供开采的资源或需要保护的“伊甸园”。另一个问题涉及那些应该从中受益的人,无论是国家、国际还是全球社区。这些方法允许通过建筑项目、基础设施、地缘政治策略、制图甚至小说和照片深入到合并过程的不同阶段。试图克服土地及其表现形式的转变之间概念分离的范式,这些被理解为“人物”,文化表现形式和整合动态背后的话语片段:可以通过它们所支持的统一概念和自然意义横向阅读的不同类型的元素。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Revista 180
Revista 180 ARCHITECTURE-
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: Revista 180 is an international academic journal of architecture, art, design and urbanism, published by the Universidad Diego Portales. Revista 180 publishes critical analysis and research in the field of architecture, art, design, urbanism and related areas, prioritizing multidisciplinary studies that have an impact on public policies. Indexed since 2005 in Scopus and since 2006 in the Arts and Humanities Citation Index (A&HCI) of Thomson Reuters, Revista 180 has become an important reference in its area, presenting a distinguished International Editorial Board. The journal publishes articles in Spanish and English.
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