Raymond Williams, Marxism and Literature (1977)

IF 0.9 2区社会学 Q2 ANTHROPOLOGY

Public Culture Pub Date : 2020-05-01 DOI:10.1215/08992363-8090166

C. Levine

引用次数: 2

Abstract

This article focuses on two of the most enduring terms in Raymond Williams’s Marxism and Literature: “dominant, residual, emergent” and “structures of feeling.” Williams’s theory of history as mixtures and layers of different temporal moments is not only alive and well in the field today; it also offers a way to theorize what it means to be “Undead,” that is, to produce thoughts that live after or out of one’s time. And yet, Williams’s stress on process over structure is so open and flexible that it allows one to avoid some hard questions about how history really works.

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Raymond Williams，《马克思主义与文学》（1977）

本文主要关注雷蒙德·威廉姆斯的《马克思主义与文学》中最经久不衰的两个术语:“支配的、残余的、涌现的”和“感觉的结构”。威廉姆斯的历史理论是不同时间时刻的混合和层次，不仅在今天的领域中仍然存在;它还提供了一种将“不死”的含义理论化的方法，也就是说，产生活在一个人的时间之后或之外的思想。然而，威廉姆斯对过程多于结构的强调是如此开放和灵活，以至于它允许人们避免一些关于历史如何真正运作的难题。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Public Culture Multiple-

CiteScore

2.10

自引率

6.70%

发文量

期刊介绍： Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.