Questions of Presence and Absence: Lessons from the Pandemic

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118727

J. Varley

引用次数: 0

Abstract

Abstract Julia Varley is a long-term artist from the Odin Teatret in Denmark as well as being one of the key actress/directors and founder members of the Magdalena Project. Julia curates numerous international festivals and workshops including Transit (in Denmark) and the International School of Theatre Anthropology (ISTA). She is also a founding member of the Barba Varley Foundation, in support of global artists of Third Theatre. Here, she reflects on the impact of the pandemic on working practice.

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在场与缺席问题：大流行病的教训

Julia Varley是丹麦奥丁剧院的长期艺术家，也是马格达莱纳项目的主要女演员/导演之一。茱莉亚策划了许多国际艺术节和研讨会，包括丹麦的Transit和国际戏剧人类学学院(ISTA)。她也是Barba Varley基金会的创始成员，该基金会支持第三剧院的全球艺术家。在这里，她反思了疫情对工作实践的影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

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0.50

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期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.