The suffering of existence in Kazuo Ishiguro’s Never Let Me Go

Q4 Arts and Humanities
Ars Aeterna Pub Date : 2018-12-01 DOI:10.1515/aa-2018-0008
Martin Šemelák
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引用次数: 3

Abstract

Abstract This paper deals with the British dystopian novel Never Let Me Go by Kazuo Ishiguro, in which human clones are forced to donate their organs in an alternate reality set in 1990s England. Through the characters of the novel, various manifestations of suffering are examined from the viewpoint of existentialism. The whole concept of donation might be understood as a metaphorical expression for human life, as well as the omnipresent consciousness of its finitude. Ishiguro has prepared the ground for disturbing discussion where two ostensibly different groups of people – clones, whose only purpose is to donate their vital organs, and “normal people” as the recipients – suddenly appear to be indistinguishable in terms of mortality and the general experience of human existence. This paper focuses on the concept of existential anguish in the context of the novel’s story. Using an unobtrusive science fiction narrative, Never Let Me Go encourages readers to contemplate the essence, meaning and purpose of human life, and it quietly points to topics that are usually treated as highly sensitive: the inevitability of death and apparent absurdity of human existence.
石黑一雄《永不放过我》中的生存苦难
摘要本文论述了石黑一雄的英国反乌托邦小说《Never Let Me Go》,在这部小说中,人类克隆人被迫在20世纪90年代英国的另一个现实中捐献器官。通过小说中的人物形象,从存在主义的角度审视了苦难的种种表现。捐赠的整个概念可以被理解为人类生命的隐喻性表达,以及其有限性的无所不在的意识。石黑一雄为令人不安的讨论奠定了基础,在这场讨论中,两个表面上不同的群体——克隆人,其唯一目的是捐献他们的重要器官,而作为接受者的“正常人”——突然在死亡率和人类生存的一般体验方面变得难以区分。本文着重探讨小说故事语境中存在痛苦的概念。《Never Let Me Go》采用了一种不引人注目的科幻叙事,鼓励读者思考人类生活的本质、意义和目的,它悄悄地指向了通常被视为高度敏感的话题:死亡的必然性和人类存在的明显荒谬性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Ars Aeterna
Ars Aeterna Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
6
期刊介绍: The multidisciplinary journal focused on the questions of art and its importance in the contemporary world for the development of culture, mutual understanding, and the human Self.
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