Towards a Black Cultural Memory

IF 0.3 Q3 AREA STUDIES
Emma-Lee Amponsah
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引用次数: 0

Abstract

The article explores how Black people in Belgium have sought meaningful engagement with their history, culture, and identity to create a shared cultural memory, and vice versa: how Black people’s engagement with a shared cultural memory has formed a collective, Afro-diasporic identity and culture. To illustrate how Black identities take shape beyond personal histories, cultures, and memories, I conceptualize a memory framework called Black Cultural Memory (BCM), giving insight into Black people’s interconnected identity constructing/maintaining embodied culture, and shed light on how social media, memory and Black people’s lives interact by discussing how cultural memory is shaped, sharpened and inquired through Black people’s contemporary digital engagement. Examining the memory practices and discoursers of Belgian Renaissance, New Awoken African Generation, and #BLMbelgium, I illustrate how digital platforms helped these initiatives to shape and distribute notions of collective blackness, which ultimately connects them to a global Afro-diaspora culture.
走向黑人文化记忆
这篇文章探讨了比利时黑人如何寻求与他们的历史、文化和身份进行有意义的接触,以创造共同的文化记忆,反之亦然:黑人与共同的文化回忆的接触如何形成了一种集体的、非洲流散的身份和文化。为了说明黑人身份是如何在个人历史、文化和记忆之外形成的,我概念化了一个名为黑人文化记忆(BCM)的记忆框架,深入了解黑人相互关联的身份构建/维持具体文化,并通过讨论文化记忆是如何形成的,阐明社交媒体、记忆和黑人生活是如何互动的,通过黑人当代的数字参与进行敏锐和探究。通过研究比利时文艺复兴、新觉醒的非洲一代和#BLMbelgium的记忆实践和言论,我展示了数字平台如何帮助这些举措塑造和传播集体黑人的概念,并最终将其与全球非洲侨民文化联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
African Diaspora
African Diaspora AREA STUDIES-
CiteScore
1.20
自引率
0.00%
发文量
7
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