{"title":"'My Name to me a Sadness Wears': Self and Other According to 'Diary by E. B. B.'","authors":"Yana Rowland","doi":"10.33919/esnbu.21.2.5","DOIUrl":null,"url":null,"abstract":"This paper dwells on the issue of selfhood in Elizabeth Barrett Browning’s Diary (1831 – 1832). It explores individuation against three major presences in the poetess’s life: her father (and family), Hugh Stuart Boyd, and literature. The employed strategy of research includes a phenomenological (interspersed with feminist touches) focus on select excerpts from the Diary which reveal the writer’s concern for Self as the recognition of the priority of a precursory Other. Observations are made on the limits of human perception, time and space as human variables, the ontological essence of interpretation, and memory as a premise for cognizing life as care. A rare example of prose-fiction in the poetess’s oeuvre, her diary could be read as an instance of simultaneous self-nullification and self-affirmation, which offers possibilities for a dialectical definition of female genius as dialogue through narrative.","PeriodicalId":40179,"journal":{"name":"English Studies at NBU","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"English Studies at NBU","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33919/esnbu.21.2.5","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
引用次数: 0
Abstract
This paper dwells on the issue of selfhood in Elizabeth Barrett Browning’s Diary (1831 – 1832). It explores individuation against three major presences in the poetess’s life: her father (and family), Hugh Stuart Boyd, and literature. The employed strategy of research includes a phenomenological (interspersed with feminist touches) focus on select excerpts from the Diary which reveal the writer’s concern for Self as the recognition of the priority of a precursory Other. Observations are made on the limits of human perception, time and space as human variables, the ontological essence of interpretation, and memory as a premise for cognizing life as care. A rare example of prose-fiction in the poetess’s oeuvre, her diary could be read as an instance of simultaneous self-nullification and self-affirmation, which offers possibilities for a dialectical definition of female genius as dialogue through narrative.