{"title":"Opaque Infrastructure","authors":"Huda Tayob","doi":"10.1215/08992363-9937283","DOIUrl":null,"url":null,"abstract":"\n Bellstat Junction and Sekko's Place are two markets in Cape Town established by migrants, refugees, and asylum seekers. They are perhaps better understood as black markets existing within a lineage of global black urbanisms, past and future. These sites occupy a slippery legality, sited in the peripheral margins and shadows of the central city of Cape Town. They operate across grammars of transaction and care. An architectural reading of black markets enables a drawing out and stitching together of the constituents of these sites: of site and story, of domesticity and infrastructure, of publicness and transnational networks. Adopting the term black markets for these sites calls attention to the racialization of these spaces, and their emergence as sites of possibility, precarity, and care in the face of protracted crises.","PeriodicalId":47901,"journal":{"name":"Public Culture","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2022-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Public Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/08992363-9937283","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"ANTHROPOLOGY","Score":null,"Total":0}
引用次数: 0
Abstract
Bellstat Junction and Sekko's Place are two markets in Cape Town established by migrants, refugees, and asylum seekers. They are perhaps better understood as black markets existing within a lineage of global black urbanisms, past and future. These sites occupy a slippery legality, sited in the peripheral margins and shadows of the central city of Cape Town. They operate across grammars of transaction and care. An architectural reading of black markets enables a drawing out and stitching together of the constituents of these sites: of site and story, of domesticity and infrastructure, of publicness and transnational networks. Adopting the term black markets for these sites calls attention to the racialization of these spaces, and their emergence as sites of possibility, precarity, and care in the face of protracted crises.
期刊介绍:
Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.