Visual communication in research: a third space between science and art

Laura Corazza, Anita Macauda
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引用次数: 0

Abstract

Abstract Ample scientific literature recognises the role of visual thinking in the constructive process of ideas and mental images and the function of visual intelligence in the communicative processes. Starting from the sectoral studies, we have turned our attention to the visual communication of the results of scientific research, relating it to some characteristics of artistic communication to find a shared ground, that is, a third space inhabited by common languages and competencies. In so doing, we have overcome the traditional antinomy between humanists and scientists, starting instead from the results of a recent study that has shown how such an opposition does not find real confirmation in the sector of science communication. We have thus analysed three case studies (graphical abstract, augmented reality, audiovisual documentation) on the grounds of a 10-year long experience of research in the field of visual communication (iconography and iconology, art teaching, video research) to acknowledge visual thinking and graphical/artistic competencies, situated in the third space between didactics and art, a fundamental role in the formation of a scientist and a researcher.
研究中的视觉传达:科学与艺术之间的第三空间
大量的科学文献认识到视觉思维在思想和心理意象的构建过程中的作用,以及视觉智能在交际过程中的功能。从部门研究开始,我们将注意力转向科学研究成果的视觉传达,将其与艺术传播的一些特征联系起来,以找到一个共同的基础,即共同语言和能力所居住的第三空间。通过这样做,我们克服了人文主义者和科学家之间的传统矛盾,而是从最近的一项研究结果开始,该研究表明,这种对立在科学传播领域没有得到真正的证实。因此,我们分析了三个案例研究(图形抽象、增强现实、视听文献),基于在视觉传播领域(图像学和图像学、艺术教学、视频研究)长达10年的研究经验,以承认视觉思维和图形/艺术能力,这些能力位于教学和艺术之间的第三空间,在科学家和研究人员形成过程中的一个基本角色。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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审稿时长
8 weeks
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