Spatiotemporal Stratifications

IF 1.1 2区社会学 Q2 ANTHROPOLOGY

Public Culture Pub Date : 2022-10-31 DOI:10.1215/08992363-9937297

I. Peano

引用次数: 0

Abstract

This essay explores the author's engaged research trajectory into several agro-industrial enclaves in contemporary Italy. Stemming from solidarity work in support of migrant laborers living in slums and camps, and of their demands for legal recognition and better living and work conditions, the essay shows how the interrogation of these spaces’ multiple, layered pasts helps to better understand and contrast forms of containment, extraction, and racialized and gendered violence in the present. In particular, the essay pits narratives that portray such agro-industrial enclaves and the people that inhabit them as anachronistic residues against deep genealogies of racial capitalism and of the rhetorical tropes that sustained them. Carceral-like containment and, more generally, spatial segregation are shown to run through and thus be foundational in the history of capitalist agriculture, across geographies that link Italy to global flows.

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时空层次

本文探讨了作者对当代意大利几个农工业飞地的研究轨迹。这篇文章源于支持生活在贫民窟和营地的移民劳工的团结工作，以及他们对法律承认和更好的生活和工作条件的要求，展示了对这些空间的多重、分层的过去的审问如何有助于更好地理解和对比当前的遏制、榨取以及种族化和性别化暴力形式。特别是，这篇文章将这些农工业飞地和居住在那里的人描绘成不合时宜的残余，与种族资本主义的深层谱系和支撑它们的修辞手法进行了对比。在将意大利与全球流动联系起来的各个地区，类似尸体的遏制和更普遍的空间隔离被证明贯穿始终，因此是资本主义农业史上的基础。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Public Culture Multiple-

CiteScore

2.10

自引率

6.70%

发文量

期刊介绍： Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.