A Narratological Perspective on Installation Art

IF 0.1 0 ART
L. Combrink
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引用次数: 0

Abstract

Abstract Visual arts such as painting have been explored in the light of narratological concepts, but installation art has not received similar comprehensive narratological attention. The focus of the present article is to apply the four elements of narrative, namely time, space, character, and event, as conceptualised by Mieke Bal, to an exploration of a selection of visual artworks with an emphasis on installation art to demonstrate how the elements of narrative are thematised and foregrounded in installation art. These elements have to date not been consolidated into one publication on the visual arts. Special attention is paid to the installation artwork Baggage Arrival (2001) by the South African artist Jan van der Merwe, as an example of an artwork in which the four elements of narrative appear in a distinctive and thematised manner.
装置艺术的叙事学视角
绘画等抽象视觉艺术是在叙事学概念的指导下进行探索的,但装置艺术却没有得到类似的全面叙事学关注。本文的重点是应用Mieke Bal提出的叙事的四个元素,即时间、空间、人物和事件,来探索一系列视觉艺术作品,重点是装置艺术,以展示叙事元素在装置艺术中是如何主题化和前瞻性的。到目前为止,这些元素还没有整合成一份关于视觉艺术的出版物。南非艺术家Jan van der Merwe的装置艺术作品《Baggage Arrival》(2001)受到了特别关注,这是一件艺术作品的例子,其中叙事的四个元素以独特和主题化的方式出现。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
De Arte
De Arte ART-
CiteScore
0.20
自引率
0.00%
发文量
7
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