Mwathirika sebagai Materi Tambahan dalam Mempelajari Sejarah 1965

Tika Savitri
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引用次数: 0

Abstract

30th of September Movement, or Gerakan 30 September in 1965 was one of the watershed moments in the course of history of Indonesia. The transition to the New Order from the Old Order and the events surrounding it are deemed so important that the Department of Education and Culture includes it into the official curriculum taught at XII grade students. G30S and the conflicts around the year 1965 are pictured in an optimistic tint, like a good struggle towards a better new era of development. On the other hand, what happened – and what is felt - in the artistic world is more on the contrary, since many artists associate the events with dark, dreadful situations of violence and unrest. Mwathirika by Papermoon Puppet Theater is one example of artists’ works regarding G30S, with this one in particular using the medium of contemporary puppet theater. The play Mwathirika itself doesn’t explicitly show the transition of governmental power. Instead, it focuses on the loss of the victims around the events. These differing point of views from the government and artistic world is what prompted this research, thus arriving to the question of whether contemporary performance art can provide supplemental education for high school students, especially regarding sensitive matters in one own’s history.
Mwatirika作为1965年学习历史的附加内容
1965年9月30日的民政党运动是印尼历史进程中的分水岭之一。从旧秩序到新秩序的过渡以及围绕它的事件被认为是如此重要,以至于教育和文化部将其纳入了十二年级学生的官方课程。G30S和1965年前后的冲突被描绘成一种乐观的色彩,就像一场朝着更好的新发展时代的美好斗争。另一方面,在艺术界发生的事情——以及人们的感受——则恰恰相反,因为许多艺术家将这些事件与黑暗、可怕的暴力和动荡局势联系在一起。Papermoon Puppet Theater的Mwathirika是艺术家关于G30S的作品之一,特别是使用了当代木偶剧的媒介。话剧《姆瓦希里卡》本身并没有明确表现政府权力的过渡。相反,它关注的是事件周围受害者的损失。这些来自政府和艺术界的不同观点促使了这项研究,从而得出当代行为艺术是否可以为高中生提供补充教育的问题,特别是关于自己历史上的敏感问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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28 weeks
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