Flexible Music Teaching and Risk

IF 0.1 Q4 EDUCATION & EDUCATIONAL RESEARCH
E. Bucura
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引用次数: 2

Abstract

Abstract Literature is needed to address lifeworlds of music teachers outside the scope of K-12 public school settings. This article presents narrative inquiry investigating the experiences of a teaching artist musician. I employ a social phenomenological framework and draw on literature involving sense of self and work–life balance. With a former research participant, I inquired into earlier issues of work–life balance and multiple music teaching roles. Data were collected through interviews and observations, which took place in person and online. I drew narratives from data in discussions with the participant. Themes included that a re-prioritization of music teaching and musical roles might be a continual process requiring flexibility and risk. This study supports nuanced understandings of a broadly defined music teaching profession and the challenges associated with sustaining such a career. Implications point to a consideration of what preparation might be helpful to a music teacher outside a K-12 public school setting and what professional choices are available for teaching artist musicians.
弹性音乐教学与风险
需要文学来解决K-12公立学校设置范围之外的音乐教师的生活世界。本文以一位艺术家音乐家的教学经历为研究对象,进行叙事探究。我采用了社会现象学框架,并借鉴了涉及自我意识和工作与生活平衡的文学。与一位前研究参与者一起,我询问了工作与生活平衡和多重音乐教学角色的早期问题。数据是通过面对面和在线的访谈和观察收集的。在与参与者的讨论中,我从数据中得出了叙述。主题包括音乐教学和音乐角色的重新排序可能是一个持续的过程,需要灵活性和风险。这项研究支持对广泛定义的音乐教学职业和与维持这种职业相关的挑战的细微理解。这意味着要考虑什么样的准备对K-12公立学校以外的音乐教师有帮助,以及教艺术家音乐家有哪些专业选择。
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来源期刊
Teaching Artist Journal
Teaching Artist Journal EDUCATION & EDUCATIONAL RESEARCH-
CiteScore
0.50
自引率
0.00%
发文量
1
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