Research on the Professional Features of Craftsmen, the Inheritance of Skills, and Changes in their Social Status: From Liu Zongyuan’s “Ziren Zhuan”

YuDe Hou
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Abstract

: In the long history of feudal agricultural society in ancient China, the artisan group was the direct creator of the level of social productivity. Liu Zongyuan’s description of the artisan which was the equivalent of the modern chief engineer in the Tang Dynasty, could help future generations to have a deep understanding of its professional role and characteristics. In essence, the status and role of the profession in practice was similar to that of the prime minister in the hundred officials. Artisans whose work could supersede that of nature were rare across all dynasties, and the result was related to the inheritance of skills, the social status of artisans, and many other factors. In the Ming Dynasty, the social status of artisans representing the construction industry improved in an unprecedented manner. Further, in the Ming Dynasty, the fields of architecture, furniture, and copper ware manufacturing, reached the highest level in the history of China. Exploring the relationship between the social status of artisans and the level of ancient handicraft industry has a higher academic value and more far-reaching practical significance than simply exploring the professional height to which ancient skills were able to attain.
工匠的职业特征、技艺传承与社会地位变迁研究——从柳宗元《自人传》谈起
在中国古代漫长的封建农业社会历史中,工匠群体是社会生产力水平的直接创造者。柳宗元对工匠的描述相当于现代唐朝的总工程师,有助于后世对其职业角色和特点的深刻理解。实质上,这一职业在实践中的地位和作用类似于丞相在百官中的地位和作用。在所有朝代,能够取代自然的工匠都是罕见的,其结果与技能的传承、工匠的社会地位以及许多其他因素有关。明代,以建筑业为代表的工匠的社会地位得到了前所未有的提高。此外,在明代,建筑、家具和铜器制造领域达到了中国历史上的最高水平。探究工匠的社会地位与古代手工业水平之间的关系,比单纯地探究古代技艺所能达到的专业高度,具有更高的学术价值和更深远的现实意义。
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