Behind the Seams: Global Circulations in a Group of Japanese-Inspired Cotton Nightgowns c. 1700

IF 0.5 2区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Ariane Fennetaux
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引用次数: 2

Abstract

Starting from close analysis of a late seventeenth-century cotton nightgown made in India that borrows its pattern from a traditional Japanese motif, this article contextualises the garment within a group of three other similar gowns to understand the complex cultural geographies they wove together. From the small material details of the making and design of these textile hybrids, the article retraces a larger story of global trade and exchange: a story that takes us from Europe to Japan, India and beyond. It shows how even within what may seem like a neat pattern of circulation between three geographical areas, linked together by the arrival in Asia of European trading companies such as the Dutch East India Company or VOC, various multi-layered patterns of hybridisation coexisted and sometimes pre-existed the arrival of European traders.
接缝后面:1700年一组日本风格的棉质睡衣的全球流通
本文从仔细分析一件17世纪晚期印度生产的棉质睡衣开始,该睡衣借鉴了日本传统的图案,并将其与其他三件类似的长袍放在一起,以了解它们交织在一起的复杂文化地理。从这些混合纺织品的制作和设计的小细节开始,这篇文章追溯了一个更大的全球贸易和交流的故事:一个把我们从欧洲带到日本、印度和其他地方的故事。它表明,即使是在三个地理区域之间看似整齐的流通模式中(由荷兰东印度公司(VOC)等欧洲贸易公司抵达亚洲联系在一起),各种多层次的杂交模式也是共存的,有时甚至在欧洲商人到来之前就存在了。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
TEXTILE HISTORY
TEXTILE HISTORY HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.00
自引率
0.00%
发文量
0
期刊介绍: Textile History is an internationally recognised, peer reviewed journal and one of the leading publications in its field. It is viewed as an important outlet for current research. Published in the spring and autumn of each year, its remit has always been to facilitate the publication of high-quality research and discussion in all aspects of scholarship arising from the history of textiles and dress. Since its foundation the scope of the journal has been substantially expanded to include articles dealing with aspects of the cultural and social history of apparel and textiles, as well as issues arising from the exhibition, preservation and interpretation of historic textiles or clothing.
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