The Cinematic Milieu

IF 1.1 2区社会学 Q2 ANTHROPOLOGY

Public Culture Pub Date : 2021-10-12 DOI:10.1215/08992363-9262849

B. Larkin

引用次数: 0

Abstract

To what extent are media technologies autonomous forces that reorganize the environment around them to accommodate their own technological needs? In what ways are these technologies responsive to the milieu they grow within? A central theme of comparative media examines how media enter into reciprocal exchange with the broader cultural, social, and economic formations in which they emerge and which differ from place to place and over time. This article draws on the concept of milieu in order to analyze the evolution of digital cinema infrastructures in contemporary Nigeria.

查看原文本刊更多论文

电影环境

媒体技术在多大程度上是自主力量，能够重新组织周围的环境以适应自己的技术需求?这些技术在哪些方面对它们所处的环境做出了反应?比较媒体的一个中心主题是研究媒体如何与更广泛的文化、社会和经济形态进行互惠交流，在这些形态中，媒体出现了，并且随着时间和地点的不同而不同。本文利用环境的概念来分析当代尼日利亚数字电影基础设施的演变。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Public Culture Multiple-

CiteScore

2.10

自引率

6.70%

发文量

期刊介绍： Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.