{"title":"Applying Appreciative Education to Undergraduate Music Therapy Supervision","authors":"Raquel Ravaglioli","doi":"10.1093/mtp/miad016","DOIUrl":null,"url":null,"abstract":"\n Music therapy is by nature an interdisciplinary profession, focusing on the triangulation of the client, the therapist, and the music. This complex relationship creates the necessity for specialized supervision practices. As part of the training for this profession, it is required that students are supervised by board-certified music therapists during practicum placements. Music therapy supervision has incorporated theories grounded in the field of psychology to inform supervision practices. However, recent work in the field suggests Appreciative Education theory may be a more useful approach for supervision. Appreciative education is “a framework that provides an intentional and positive approach to bettering educational enterprises by focusing on the strengths and potential of individuals and organizations to accomplish co-created goals” (Bloom, J., Hutson, B., He, Y., & Konkle, E. 2013). Appreciative education. New Directions for Student Services, 143, 5–6). This paper discusses examples of the appreciative education approach and how to best integrate these practices within the context of undergraduate music therapy supervision. For this article, the primary approach discussed will be the 6D framework developed (Bloom, J. L., Hutson, B. L., & He, Y. (2008). The appreciative advising revolution. Stipes Publishing). The purpose of this practical application is for music therapy supervisors to integrate this framework into their supervisory practices.","PeriodicalId":44813,"journal":{"name":"Music Therapy Perspectives","volume":" ","pages":""},"PeriodicalIF":0.9000,"publicationDate":"2023-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Music Therapy Perspectives","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/mtp/miad016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"REHABILITATION","Score":null,"Total":0}
引用次数: 0
Abstract
Music therapy is by nature an interdisciplinary profession, focusing on the triangulation of the client, the therapist, and the music. This complex relationship creates the necessity for specialized supervision practices. As part of the training for this profession, it is required that students are supervised by board-certified music therapists during practicum placements. Music therapy supervision has incorporated theories grounded in the field of psychology to inform supervision practices. However, recent work in the field suggests Appreciative Education theory may be a more useful approach for supervision. Appreciative education is “a framework that provides an intentional and positive approach to bettering educational enterprises by focusing on the strengths and potential of individuals and organizations to accomplish co-created goals” (Bloom, J., Hutson, B., He, Y., & Konkle, E. 2013). Appreciative education. New Directions for Student Services, 143, 5–6). This paper discusses examples of the appreciative education approach and how to best integrate these practices within the context of undergraduate music therapy supervision. For this article, the primary approach discussed will be the 6D framework developed (Bloom, J. L., Hutson, B. L., & He, Y. (2008). The appreciative advising revolution. Stipes Publishing). The purpose of this practical application is for music therapy supervisors to integrate this framework into their supervisory practices.