Didactic Motherhood and Narrative Responsibility in Anca Vlasopolos’s Memoir No Return Address

IF 0.1 3区 文学 0 LITERATURE, AMERICAN
Roxana Cazan
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引用次数: 2

Abstract

In this paper, I first argue that as a second generation Romanian-American Jewish writer, Vlasopolos offers representations of what I call didactic motherhood in her memoir: a form of maternal care through which mothers explain past traumas to younger generations, highlighting the ways in which the past produces their current selves and arbitrating the transmission of trauma intra-generationally. Through the didactic function of mothers, Vlasopolos demonstrates that motherhood ensures Jewish women’s psychological and genealogical endurance in the face of Fascist and Communist anti-Semitism. The memoir also indicates that Jewish women’s personal motivation to become mothers stems from their needs to maintain a distinctive political and historical identity and to foster an awareness of a legacy that Fascism and Communism in Romania ignored altogether. In No Return Address, the maternal implicates the memoirist in two ways. First, Vlasopolos is a daughter, engaging in meaningful relationships with her mother and other “mother” figures who survived the Holocaust and Romanian Fascism (1923–1943). Second, the author is a mother in the timeframe of the writing act, responding disapprovingly to state anti-Semitism, state patriarchy, and her knowledge of Communism (1945–1989) mostly from her mother.
安卡·弗拉索波洛斯回忆录《无回信地址》中的说教性母性与叙事责任
在这篇论文中,我首先认为,作为第二代罗马尼亚裔美国犹太作家,弗拉索波洛斯在她的回忆录中展现了我所说的说教式母性:一种母亲关怀的形式,母亲通过这种形式向年轻一代解释过去的创伤,强调过去产生现在自我的方式,并对创伤在代际之间的传播进行仲裁。弗拉索波洛斯通过母亲的说教功能表明,母亲身份确保了犹太妇女在面对法西斯和共产主义反犹太主义时的心理和家谱承受能力。回忆录还指出,犹太妇女成为母亲的个人动机源于她们需要保持独特的政治和历史身份,并培养对罗马尼亚法西斯主义和共产主义完全忽视的遗产的认识。在《不归路》中,母亲以两种方式暗示了回忆录作者。首先,弗拉索波洛斯是一个女儿,她与母亲和其他在大屠杀和罗马尼亚法西斯(1923–1943)中幸存下来的“母亲”人物建立了有意义的关系。其次,在写作过程中,作者是一位母亲,对国家反犹太主义、国家父权制以及她对共产主义的了解(1945-1989)主要来自她的母亲表示反对。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
15
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