Theatre as Service ... My Experience During the Global Pandemic in Canada

IF 0.2 3区 艺术学 0 THEATER
Taiwo Afolabi
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引用次数: 4

Abstract

Abstract:Perhaps the global pandemic (COVID-19) and the death of George Floyd have brought an immense, drastic, and unprecedented turn in human history. Many disciplines are now being intentional about asking critical and ethical questions around race, identity, social justice representation, and systemic change. The same is true for theatre and performance. While events in 2020 stretched and burdened racialized bodies, they also provided opportunities for many racialized bodies to be recognized perhaps because of their knowledge, experiences, identities, and the power and privileges they hold or do not hold. As an African in the Canadian theatre sector and scholarship, I acted in different capacities to address systemic injustice in Canada’s theatre scene during the pandemic. For instance, I co-facilitated some sessions with colleagues from Indigenous, Black, and People of Colour (IBPoC) community for the purpose of creating space for dialogue on issues of concern to this community. In this article, I reflect on how the pandemic produced an initiative that has the potential to address leadership challenges within the performing arts sector.
戏剧即服务……我在加拿大全球大流行期间的经历
摘要:也许全球大流行(COVID-19)和乔治·弗洛伊德(George Floyd)的去世给人类历史带来了巨大、剧烈和前所未有的转折。许多学科现在都在有意地提出关于种族、身份、社会正义、代表和系统变革的关键和道德问题。戏剧和表演也是如此。虽然2020年的事件给种族化的团体带来了压力和负担,但它们也为许多种族化的团体提供了被认可的机会,也许是因为他们的知识、经验、身份,以及他们拥有或不拥有的权力和特权。作为加拿大戏剧界和学术界的一名非洲人,我在疫情期间以不同身份解决了加拿大戏剧界的系统性不公正问题。例如,我与来自土著、黑人和有色人种(IBPoC)社区的同事共同主持了一些会议,目的是为该社区关注的问题创造对话空间。在本文中,我将探讨疫情如何催生了一项有可能解决表演艺术领域领导力挑战的倡议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
54
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