Cover, Custom, and DIY? Memetic Features in Multimedia Creative Practices

IF 0.3 2区 艺术学 0 MUSIC
J. Besada
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引用次数: 1

Abstract

It is not unusual nowadays to attend a concert of contemporary music in which live performers and video projection are juxtaposed or truly interact. Internet video-sharing platforms and social media contribute to shape the way these materials are filmed and presented to the audience. My paper focuses on two composer-performers dealing with these kinds of technologies and audiovisual logics: Brigitta Muntendorf and Óscar Escudero. I pay attention to their respective pieces Public Privacy #1: Flute Cover (2013) and Custom #1 (2016). Beyond the inconsequential coincidence of a hashtag in their titles, some similar aspects of their creative processes are found, from the compositional conception to the interaction with performers for personalising the videos. I particularly consider theoretical elements of memetics for a diachronic observation of several creative choices. Finally, I evaluate the impact of participatory culture in the gestation of these pieces.
封面、定制和DIY?多媒体创作实践中的模因特征
如今,参加一场现场表演者和视频投影并置或真正互动的当代音乐音乐会并不罕见。互联网视频分享平台和社交媒体有助于塑造这些材料的拍摄方式,并呈现给观众。我的论文集中在两位处理这些技术和视听逻辑的作曲家兼表演者:布丽吉塔·蒙滕多夫和Óscar埃斯库德罗。我关注他们各自的作品《公共隐私#1:长笛封面》(2013)和《习俗#1》(2016)。除了标题中标签的无关紧要的巧合之外,我们还发现了他们创作过程的一些相似之处,从构图概念到与表演者的互动,以使视频个性化。我特别考虑模因论的理论元素,以对几个创造性选择进行历时性观察。最后,我评估了参与文化在这些作品孕育过程中的影响。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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