{"title":"Trans*Forming Bodies Is Hopeful Politics","authors":"D. Harris","doi":"10.1177/19408447221131040","DOIUrl":null,"url":null,"abstract":"The truth-telling in his piece is sin quo non to the unmasking needed to forge pathways to new gendered possibilities in troubled times toward transformative futures. I explore the affective embodied experience of living as a non-binary transmasculine person in a binary world. Drawing on the work of Jack Halberstam, Tami Spry, and Bryant Keith Alexander, this essay (and performance) is shared with/through my testosterone-lowered voice, my masculine-appearing body, and my non-binary orientations that ask the world to avoid the pitfalls of binarized gender relations. Performance autoethnography has long held space in the academy for the foregrounding of non-majoritarian lived experience through affective, interpersonal, and embodied strategies, and this piece builds on those traditions.","PeriodicalId":90874,"journal":{"name":"International review of qualitative research : IRQR","volume":"16 1","pages":"72 - 76"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International review of qualitative research : IRQR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/19408447221131040","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The truth-telling in his piece is sin quo non to the unmasking needed to forge pathways to new gendered possibilities in troubled times toward transformative futures. I explore the affective embodied experience of living as a non-binary transmasculine person in a binary world. Drawing on the work of Jack Halberstam, Tami Spry, and Bryant Keith Alexander, this essay (and performance) is shared with/through my testosterone-lowered voice, my masculine-appearing body, and my non-binary orientations that ask the world to avoid the pitfalls of binarized gender relations. Performance autoethnography has long held space in the academy for the foregrounding of non-majoritarian lived experience through affective, interpersonal, and embodied strategies, and this piece builds on those traditions.