Going Down in Herstory: Re-writing Women’s Lives in Michèle Roberts’s “On the Beach at Trouville”

Q1 Arts and Humanities
Silvia García Hernández
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引用次数: 1

Abstract

Throughout her writing career, Michèle Roberts has been one of the contemporary women writers who has re-constructed and retold the lives of previously forgotten, silenced or marginalised women. In an attempt to re-inscribe their voice, Roberts has re-written history from the female perspective by going back to the lives of female saints, Biblical figures and other female writers. In her last collection of short stories: Mud: Stories of Sex and Love, all the protagonists are women taken from historical or literary texts, to whom she has given voice, providing the reader with new visions of reality. This paper will focus on “On the Beach at Trouville”, and will analyse the strategies Roberts has used both to present the lives of Thérèse of Lisieux and Camille Monet from their own perspectives and to subvert the patriarchal construction of history.
载入史册:改写米歇尔·罗伯茨《在特鲁维尔海滩上》中的女性生活
在她的写作生涯中,米歇尔·罗伯茨一直是当代女作家之一,她重建并重新讲述了以前被遗忘、沉默或边缘化的女性的生活。为了重新刻下她们的声音,罗伯茨从女性的角度重新书写历史,回顾了女性圣徒、圣经人物和其他女性作家的生活。在她最近的短篇小说集《泥:性与爱的故事》中,所有的主人公都是历史或文学文本中的女性,她为她们发声,为读者提供了对现实的新视角。本文将以《在特鲁维尔的海滩上》为重点,分析罗伯茨从李修和卡米尔·莫奈各自的视角来呈现他们的生活,并颠覆历史的父权建构的策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of English Studies
Journal of English Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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50 weeks
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