Artificial Intelligence, Creativity, and Intentionality: The Need for a Paradigm Shift

IF 2.8 2区 心理学 Q2 PSYCHOLOGY, EDUCATIONAL
Francisco Tigre Moura
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As consequence, it calls for a discussion and reconsideration of existing concepts and assumptions.</p><p>Intentionality and creativity, for example, have long been deemed as unique to humans, and central to the understanding of our specie. While intentionality has often been described as “an expression of the presence of creative factors in the processes of intellectual cognition” (Gondek, <span>2021</span>, p.420), creativity is described as the skill of creating ideas or artifacts that are new, valuable, and surprising (Boden, <span>2004</span>). Both concepts are intrinsically interrelated and pivotal for understanding humans. For this reason, they have been largely researched through various psychological perspectives, including cognition, personality, emotions, and motivation.</p><p>However, creative AI systems are now capable of independently generating outputs which are indistinguishable from the ones developed solely by humans. They also allow for various co-creation possibilities (Miller, <span>2019</span>). Thus, AI should be perceived as a tool, a co-creative partner, and as an independent creator (Elgammal, <span>2019</span>). However, the data-centered and autonomous nature of smart systems conflicts with our understanding and expectation of human intentionality in creative tasks.</p><p>Therefore, we must reconsider current assumptions to account for the ever-increasing role of AI in creative processes. I defend that the current and future scenario calls for a new paradigm, one which considers intentionality in the synergetic co-creative relationships between humans and AI as equally genuine as the ones not using them. Thus, one where AI is seen as an enabler that allows humans to potentialize their expression of motives and intent. Finally, a paradigm that also recognizes the increasing intentionality of algorithms.</p><p>The manifestation of human intentionality in creative tasks has often been viewed as a conscious attempt to express genuine aspirations, emotions, and motives. Especially in the creative and artistic sectors, the subjective value of human expressions is highly influenced by the skill or expertise required to conduct the task necessary to express the desired intent (e.g., ability to play an instrument, writing or painting technique). Thus, the creative process to manifest an intent has always been deemed as of great relevance (Kozbelt, <span>2004</span>).</p><p>However, with the increased popularity, accuracy, and ease of use of AI tools, the expertise required for creative tasks is drastically reduced, and often, no longer required. For example, one does not need to understand music theory or master the ability to play an instrument to “compose” a novel, surprising and beautiful song.</p><p>AI has therefore democratized the “ability” to generate creative outputs that expresses anyone's aspirations, emotions, and thoughts. In view of our current paradigms, the use of AI tools during creative processes may negatively impact the perceived human intentionality, consequently reducing the value of outputs. I defend that it should not. Regardless of its “intelligent” nature, AI should be seen as a tool that augments human creativity. In view of their ease of use, AI tools also motivate “non-creatives” to express intrinsic intents through artificial co-creation. In short, AI will help disseminate creative acts and generate an abundance of creative outputs. AI must then be seen as a facilitator for human expression, regardless of if it is accompanied by creative skill or expertise. Consequently, its use should not compromise the perceived intentionality of creatives.</p><p>A new creative paradigm should focus then mainly on the intrinsic motives of creation, and less on the <i>process</i> conducted to express the desired intent. This assumption is grounded on the fact that advances in AI will reach extreme accuracy, ease of use and availability. In view of their unquestionable value, global acceptance and adoption are easily predictable. In short, soon most humans will augment their creativity with the support of AI. Surely, the manifestation of human intentionality without the support of AI agents will also continue to exist, and the choice of creative process will continue to be defined by creators (e.g., to write a poem without AI assistance, though artificial co-creation or to fully automate the process and simply supervise the output). However, AI already generates outputs which are indistinguishable from human made ones (Hadjeres, Pachet, &amp; Nielsen, <span>2017</span>; Tigre Moura &amp; Maw, <span>2021</span>). This implies that it is and will become even more challenging to assure the nature of a creative process. The notion of a creative process will be based on <i>trust</i> between the creator (informing how the creative output was made) and the receiver (believing the creator or not).</p><p>Furthermore, a new a paradigm should also consider the intentionality of intelligent systems (Kurt, <span>2018</span>; Mikalonytė &amp; Kneer, <span>2021</span>). Although the belief of recognizing intentionality in artificial intelligence has been previously discussed (Zhu, <span>2009</span>), it is still largely rejected, especially in artistic sectors. But AI holds a form of intentionality in a broader sense, as it is often engineered to develop specific goals and objectives, which express, for example, views of coders and organizations. With the fast adoption of AI tools, this discussion is expected to become a focal point within creative industries and influence the acceptance of artificially created or co-created outputs.</p><p>As the adoption of AI enhances, there will likely be a concern regarding the potential loss of human exclusivity in the realm of creativity. The mastery of creative skills has been valued as a mark of distinction and achievement, providing a sense of purpose and fulfillment for humans. Thus, to lose this exclusivity is not simply a matter of embracing new technological advancements, but also of rethinking and redefining deeply held beliefs about human nature and identity. It represents a serious challenge to current creatives, which will most likely be initially resistant to accepting a new creative paradigm where anyone mastering AI tools may also be perceived as creative. Consequently, future studies should develop cross-cultural, cross-industry and demographical investigation of pull and push factors in the adoption of AI tools, while relating it the sense of identity in being a creative.</p><p>Also, the ever-increasing collaboration between humans and AI calls for new ethical and legal frameworks. For example, regarding intellectual property (Palace, <span>2019</span>), authorship (Hristov, <span>2016</span>), and responsibility for creative outputs (Karliuk, <span>2018</span>). These issues (simply to name a few) are complex, still largely unresolved, and raises additional questions involving creativity and the authenticity of creative intentionality. With the expected exponential increase of content generated by human-AI collaboration in the coming years, such discussions will become even more critical. In view of the relevance and urgency of the matter, future research must address the existing (and ever developing) ethical and legal implications of AI use during creative tasks, and its impact on perceived creative intentionality.</p><p>Finally, technology has always been a fundamental driver of societal change, and the type and magnitude of the impact it causes to existing dynamics and paradigms often leads to various forms of resistance during its adoption process (Juma, <span>2016</span>). However, the speed of changes triggered by AI is unprecedented. And as it is well-established, exposure is one of the fundamental factors to human desensitization to new technologies. So, although some of the assumptions of a new paradigm might currently be perceived as ludicrous to some (e.g., intentionality of non-creatives co-creating with AI, or the intentionality of algorithms), their wide acceptance might happen much earlier than expected.</p><p>Future research on creativity must address the basis of this paradigm shift throughout different sectors and levels of human involvement with technology. It must also permanently consider and adapt to the ever-evolving technological advancements and the effects of adoption on human desensitization towards it. Importantly, it must strengthen the investigation of intentionality of autonomous systems and artificial co-creation. This agenda is pivotal to provide reasoning to the enormous changes, and perceived uncertainty, caused by the nature and fast adoption of artificial intelligence in creative tasks.</p><p>This commentary poses no conflict of interest.</p><p>There was no funding involved.</p>","PeriodicalId":39915,"journal":{"name":"Journal of Creative Behavior","volume":"57 3","pages":"336-338"},"PeriodicalIF":2.8000,"publicationDate":"2023-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://onlinelibrary.wiley.com/doi/epdf/10.1002/jocb.585","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Creative Behavior","FirstCategoryId":"102","ListUrlMain":"https://onlinelibrary.wiley.com/doi/10.1002/jocb.585","RegionNum":2,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"PSYCHOLOGY, EDUCATIONAL","Score":null,"Total":0}
引用次数: 2

Abstract

Applying artificial intelligence (AI) to generate creative and valuable outputs is far from a novel concept (Boden, 1998; Cope, 1989). However, only in recent years have we witnessed large scale release and adoption of AI tools capable of generating high-quality content in written, image, video, and sound formats (Anantrasirichai & Bull, 2022). The fast adoption of these tools, and the autonomous nature of the process that generates such outputs, challenges well-rooted paradigms, especially in creative sectors such as the arts. As consequence, it calls for a discussion and reconsideration of existing concepts and assumptions.

Intentionality and creativity, for example, have long been deemed as unique to humans, and central to the understanding of our specie. While intentionality has often been described as “an expression of the presence of creative factors in the processes of intellectual cognition” (Gondek, 2021, p.420), creativity is described as the skill of creating ideas or artifacts that are new, valuable, and surprising (Boden, 2004). Both concepts are intrinsically interrelated and pivotal for understanding humans. For this reason, they have been largely researched through various psychological perspectives, including cognition, personality, emotions, and motivation.

However, creative AI systems are now capable of independently generating outputs which are indistinguishable from the ones developed solely by humans. They also allow for various co-creation possibilities (Miller, 2019). Thus, AI should be perceived as a tool, a co-creative partner, and as an independent creator (Elgammal, 2019). However, the data-centered and autonomous nature of smart systems conflicts with our understanding and expectation of human intentionality in creative tasks.

Therefore, we must reconsider current assumptions to account for the ever-increasing role of AI in creative processes. I defend that the current and future scenario calls for a new paradigm, one which considers intentionality in the synergetic co-creative relationships between humans and AI as equally genuine as the ones not using them. Thus, one where AI is seen as an enabler that allows humans to potentialize their expression of motives and intent. Finally, a paradigm that also recognizes the increasing intentionality of algorithms.

The manifestation of human intentionality in creative tasks has often been viewed as a conscious attempt to express genuine aspirations, emotions, and motives. Especially in the creative and artistic sectors, the subjective value of human expressions is highly influenced by the skill or expertise required to conduct the task necessary to express the desired intent (e.g., ability to play an instrument, writing or painting technique). Thus, the creative process to manifest an intent has always been deemed as of great relevance (Kozbelt, 2004).

However, with the increased popularity, accuracy, and ease of use of AI tools, the expertise required for creative tasks is drastically reduced, and often, no longer required. For example, one does not need to understand music theory or master the ability to play an instrument to “compose” a novel, surprising and beautiful song.

AI has therefore democratized the “ability” to generate creative outputs that expresses anyone's aspirations, emotions, and thoughts. In view of our current paradigms, the use of AI tools during creative processes may negatively impact the perceived human intentionality, consequently reducing the value of outputs. I defend that it should not. Regardless of its “intelligent” nature, AI should be seen as a tool that augments human creativity. In view of their ease of use, AI tools also motivate “non-creatives” to express intrinsic intents through artificial co-creation. In short, AI will help disseminate creative acts and generate an abundance of creative outputs. AI must then be seen as a facilitator for human expression, regardless of if it is accompanied by creative skill or expertise. Consequently, its use should not compromise the perceived intentionality of creatives.

A new creative paradigm should focus then mainly on the intrinsic motives of creation, and less on the process conducted to express the desired intent. This assumption is grounded on the fact that advances in AI will reach extreme accuracy, ease of use and availability. In view of their unquestionable value, global acceptance and adoption are easily predictable. In short, soon most humans will augment their creativity with the support of AI. Surely, the manifestation of human intentionality without the support of AI agents will also continue to exist, and the choice of creative process will continue to be defined by creators (e.g., to write a poem without AI assistance, though artificial co-creation or to fully automate the process and simply supervise the output). However, AI already generates outputs which are indistinguishable from human made ones (Hadjeres, Pachet, & Nielsen, 2017; Tigre Moura & Maw, 2021). This implies that it is and will become even more challenging to assure the nature of a creative process. The notion of a creative process will be based on trust between the creator (informing how the creative output was made) and the receiver (believing the creator or not).

Furthermore, a new a paradigm should also consider the intentionality of intelligent systems (Kurt, 2018; Mikalonytė & Kneer, 2021). Although the belief of recognizing intentionality in artificial intelligence has been previously discussed (Zhu, 2009), it is still largely rejected, especially in artistic sectors. But AI holds a form of intentionality in a broader sense, as it is often engineered to develop specific goals and objectives, which express, for example, views of coders and organizations. With the fast adoption of AI tools, this discussion is expected to become a focal point within creative industries and influence the acceptance of artificially created or co-created outputs.

As the adoption of AI enhances, there will likely be a concern regarding the potential loss of human exclusivity in the realm of creativity. The mastery of creative skills has been valued as a mark of distinction and achievement, providing a sense of purpose and fulfillment for humans. Thus, to lose this exclusivity is not simply a matter of embracing new technological advancements, but also of rethinking and redefining deeply held beliefs about human nature and identity. It represents a serious challenge to current creatives, which will most likely be initially resistant to accepting a new creative paradigm where anyone mastering AI tools may also be perceived as creative. Consequently, future studies should develop cross-cultural, cross-industry and demographical investigation of pull and push factors in the adoption of AI tools, while relating it the sense of identity in being a creative.

Also, the ever-increasing collaboration between humans and AI calls for new ethical and legal frameworks. For example, regarding intellectual property (Palace, 2019), authorship (Hristov, 2016), and responsibility for creative outputs (Karliuk, 2018). These issues (simply to name a few) are complex, still largely unresolved, and raises additional questions involving creativity and the authenticity of creative intentionality. With the expected exponential increase of content generated by human-AI collaboration in the coming years, such discussions will become even more critical. In view of the relevance and urgency of the matter, future research must address the existing (and ever developing) ethical and legal implications of AI use during creative tasks, and its impact on perceived creative intentionality.

Finally, technology has always been a fundamental driver of societal change, and the type and magnitude of the impact it causes to existing dynamics and paradigms often leads to various forms of resistance during its adoption process (Juma, 2016). However, the speed of changes triggered by AI is unprecedented. And as it is well-established, exposure is one of the fundamental factors to human desensitization to new technologies. So, although some of the assumptions of a new paradigm might currently be perceived as ludicrous to some (e.g., intentionality of non-creatives co-creating with AI, or the intentionality of algorithms), their wide acceptance might happen much earlier than expected.

Future research on creativity must address the basis of this paradigm shift throughout different sectors and levels of human involvement with technology. It must also permanently consider and adapt to the ever-evolving technological advancements and the effects of adoption on human desensitization towards it. Importantly, it must strengthen the investigation of intentionality of autonomous systems and artificial co-creation. This agenda is pivotal to provide reasoning to the enormous changes, and perceived uncertainty, caused by the nature and fast adoption of artificial intelligence in creative tasks.

This commentary poses no conflict of interest.

There was no funding involved.

人工智能、创造力和意向性:范式转变的需要
应用人工智能(AI)产生创造性和有价值的产出远非一个新颖的概念(博登,1998;处理,1989)。然而,直到最近几年,我们才见证了人工智能工具的大规模发布和采用,这些工具能够生成高质量的文字、图像、视频和声音格式的内容。牛,2022)。这些工具的快速采用,以及产生此类产出的过程的自主性质,对根深蒂固的范例构成了挑战,尤其是在艺术等创意部门。因此,它要求讨论和重新考虑现有的概念和假设。例如,长期以来,意向性和创造力一直被认为是人类所独有的,是理解我们物种的核心。意旨通常被描述为“智力认知过程中创造性因素存在的一种表达”(Gondek, 2021, p.420),而创造力则被描述为创造新的、有价值的、令人惊讶的想法或人工制品的技能(Boden, 2004)。这两个概念本质上是相互关联的,对理解人类至关重要。因此,人们从不同的心理学角度对它们进行了大量的研究,包括认知、人格、情感和动机。然而,创造性的人工智能系统现在能够独立产生与仅由人类开发的输出没有区别的输出。它们还允许各种共同创造的可能性(Miller, 2019)。因此,人工智能应该被视为一种工具,一个共同创造的伙伴,以及一个独立的创造者(Elgammal, 2019)。然而,智能系统以数据为中心和自主的本质与我们对创造性任务中人类意向性的理解和期望相冲突。因此,我们必须重新考虑当前的假设,以解释人工智能在创造性过程中日益重要的作用。我认为,当前和未来的情况需要一种新的范式,即认为人类和人工智能之间协同共同创造关系中的意向性与不使用它们的人一样真实。因此,人工智能被视为一个推动者,允许人类潜在地表达他们的动机和意图。最后,一个范式也认识到日益增长的算法意向性。人类意向性在创造性任务中的表现通常被视为一种有意识的尝试,以表达真正的愿望、情感和动机。特别是在创意和艺术领域,人类表达的主观价值在很大程度上受到完成表达预期意图所需的任务所需的技能或专门知识(例如,演奏乐器的能力、写作或绘画技巧)的影响。因此,表现意图的创造过程一直被认为是非常相关的(Kozbelt, 2004)。然而,随着人工智能工具的普及、准确性和易用性的提高,创造性任务所需的专业知识大大减少,甚至经常不再需要。例如,一个人不需要理解音乐理论或掌握演奏乐器的能力来“创作”一首新颖,令人惊讶和美丽的歌曲。因此,人工智能使产生创造性输出的“能力”民主化,这些输出可以表达任何人的愿望、情感和想法。鉴于我们目前的范例,在创造性过程中使用人工智能工具可能会对感知到的人类意向性产生负面影响,从而降低产出的价值。我认为不应该这样。抛开“智能”的本质不谈,人工智能应该被视为一种增强人类创造力的工具。鉴于其易用性,人工智能工具也激励“非创造性”通过人工共同创造来表达内在意图。简而言之,人工智能将有助于传播创意行为,并产生丰富的创意产出。人工智能必须被视为人类表达的促进者,无论它是否伴随着创造性技能或专业知识。因此,它的使用不应该损害创造性的感知意图。一个新的创造范例应该主要关注创造的内在动机,而不是表达预期意图的过程。这一假设基于这样一个事实,即人工智能的进步将达到极高的准确性、易用性和可用性。鉴于其无可置疑的价值,全球接受和采用是很容易预测的。简而言之,大多数人很快就会在人工智能的支持下增强他们的创造力。当然,在没有人工智能代理支持的情况下,人类意向性的表现也将继续存在,创造过程的选择将继续由创造者来定义(例如,在没有人工智能帮助的情况下写一首诗,尽管人工共同创造,或者完全自动化这个过程,只是监督输出)。
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来源期刊
Journal of Creative Behavior
Journal of Creative Behavior Arts and Humanities-Visual Arts and Performing Arts
CiteScore
7.50
自引率
7.70%
发文量
44
期刊介绍: The Journal of Creative Behavior is our quarterly academic journal citing the most current research in creative thinking. For nearly four decades JCB has been the benchmark scientific periodical in the field. It provides up to date cutting-edge ideas about creativity in education, psychology, business, arts and more.
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