Bachah-bāzī: A Socio-Erotic Tradition

IF 0.3 0 ASIAN STUDIES
Afghanistan Pub Date : 2022-10-01 DOI:10.3366/afg.2022.0091
Ali Abdi
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引用次数: 0

Abstract

This article looks into the tradition of bachah-bāzī, namely, showing interest for or having liaison with beardless young males, and contextualizes it within Afghan society and culture (and beyond). Complicating some widely held accounts of bachah-bāzī, the article suggests that the “unavailability of females” alone cannot adequately account for the persistence of the tradition in Afghanistan, and that bachahs (beardless young males) are not necessarily “underage boys” but have historically been perceived as distinct gender figures in addition to women and men. More broadly, the article reveals that studying the practice of bachah-bāzī will open up discussions on a range of related subjects, from male friendships and power play among men to gender and family relations and the construction of male desire and (homo)sexuality in Afghanistan. Studying bachah-bāzī may also lead to conversations about the aesthetics of male dance-forms, regional folk songs, music and musical creativity, Sufism and (homoerotic) poetry, histories of war and militarism, and state-building and development and reconstruction projects.
Bachah-bāzī:社会-情色传统
这篇文章研究了bachah-bāzī的传统,即对无胡子的年轻男性表现出兴趣或有联系,并将其置于阿富汗社会和文化(以及其他)的背景下。使一些广为流传的关于bachah-bāzī的说法复杂化的是,这篇文章认为,单是“缺少女性”并不能充分解释阿富汗传统的延续,而且bachha(无胡子的年轻男性)并不一定是“未成年男孩”,而是在历史上被视为除了女性和男性之外的独特性别形象。更广泛地说,这篇文章揭示,研究bachah-bāzī的实践将开启一系列相关主题的讨论,从男性友谊和男性之间的权力游戏,到性别和家庭关系,以及阿富汗男性欲望和(同性恋)性行为的构建。研究bachah-bāzī也可能会引发关于男性舞蹈形式美学、地区民歌、音乐和音乐创意、苏菲主义和(同性恋)诗歌、战争和军国主义历史、国家建设和发展与重建项目的讨论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Afghanistan
Afghanistan ASIAN STUDIES-
CiteScore
0.50
自引率
0.00%
发文量
16
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