Post-grid Imaginaries: Electricity, Generators, and the Future of Energy

IF 1.1 2区 社会学 Q2 ANTHROPOLOGY
Joanne Nucho
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引用次数: 2

Abstract

This essay describes an emerging “post-grid imaginary” that is informing visions of future collapse, growing scarcity, and deepening infrastructural fragmentation. By examining electrical grid failures in Lebanon and California, we can move beyond developmentalist assumptions about the supposedly different trajectories of the so-called Global North and South. The post-grid imaginary is at the center of a present and future struggle that is continuous with a global process that looks a lot like structural adjustment in the “Global South” and rampant privatization and austerity in the “Global North.” As states turn away from promises of endless expansion and universal access, the post-grid imaginary is one way in which states, private utilities, and individuals respond to the urgent need to transform the existing energy system. While a post-grid imaginary is not inevitable, it is an increasingly visible approach that can lead to geographical disconnection, uneven access, and infrastructural abandonment.
后电网想象:电力、发电机和能源的未来
这篇文章描述了一种新兴的“后网格想象”,它为未来崩溃、日益稀缺和基础设施碎片化加深的愿景提供了信息。通过研究黎巴嫩和加利福尼亚州的电网故障,我们可以超越发展主义对所谓全球南北不同轨迹的假设。后电网想象是当前和未来斗争的中心,这场斗争与“全球南方”的结构调整和“全球北方”猖獗的私有化和紧缩相结合。随着各州放弃无休止扩张和普及的承诺,个人对改造现有能源系统的迫切需要作出反应。虽然后电网想象并非不可避免,但它是一种越来越明显的方法,可能导致地理脱节、接入不均衡和基础设施废弃。
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来源期刊
Public Culture
Public Culture Multiple-
CiteScore
2.10
自引率
6.70%
发文量
34
期刊介绍: Public Culture is a peer-reviewed interdisciplinary journal of cultural studies, published three times a year—in January, May, and September. It is sponsored by the Department of Media, Culture, and Communication, NYU. A four-time CELJ award winner, Public Culture has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for over thirty years. The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks. Artists, activists, and scholars, both well-established and younger, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of Public Culture.
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