The Kari'na ceramic tradition through ethnographic collections

IF 0.7 Q3 ANTHROPOLOGY
Meliam Viganó Gaspar
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引用次数: 0

Abstract

The collections of ethnographic ceramic vessels made by Kari'na women in Guyana, Suriname, French Guiana, and Brazil present part of the history of a ceramic tradition that was consolidated over at least 200 years. The characteristics of ceramics and their production process can be associated to historical relations established by the Kari'na with different collectors and other peoples, as well as the agency of potters to maintain and transform their own tradition. By relating the history of these collections to the global history of museum institutions, this article contributes to the debate on museum decolonization and the transdisciplinary study of ethnographic ceramic collections. In addition, a look back into the past of collections can also give elements for a look forward into the future of the relations between objects and peoples.

卡里纳陶瓷传统的民族志收藏
这些由圭亚那、苏里南、法属圭亚那和巴西的Kari’na妇女制作的陶瓷器皿展示了至少200多年来巩固的陶瓷传统历史的一部分。陶瓷的特点及其生产过程可以与Kari'na与不同收藏家和其他民族建立的历史关系以及陶工维护和改造自己传统的代理联系在一起。通过将这些藏品的历史与博物馆机构的全球历史联系起来,本文有助于博物馆非殖民化的辩论和民族志陶瓷藏品的跨学科研究。此外,回顾过去的收藏也可以为展望未来的对象与人之间的关系提供元素。
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来源期刊
Museum Anthropology
Museum Anthropology ANTHROPOLOGY-
CiteScore
0.80
自引率
75.00%
发文量
23
期刊介绍: Museum Anthropology seeks to be a leading voice for scholarly research on the collection, interpretation, and representation of the material world. Through critical articles, provocative commentaries, and thoughtful reviews, this peer-reviewed journal aspires to cultivate vibrant dialogues that reflect the global and transdisciplinary work of museums. Situated at the intersection of practice and theory, Museum Anthropology advances our knowledge of the ways in which material objects are intertwined with living histories of cultural display, economics, socio-politics, law, memory, ethics, colonialism, conservation, and public education.
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