Revisiting the Experience of Art Therapists and Drama Therapists Working in Schools Two Years after the First Lockdown: A Qualitative Pilot

Hofit Edna Mashiah, Susana Pendzik
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Abstract

This paper follows a preliminary study that examined how 6 (n = 6) creative arts therapists (3 art therapists and 3 drama therapists) coped with the transition to remote therapy in schools during the first lockdown in Israel due to the Coronavirus pandemic. The preliminary research explored the therapists’ experiences and views about working online upon returning to regular in-person meetings. The current paper adds a follow-up interview examining their perspective on this period, two years later. The 1st set of interviews was analyzed using the Six-Key Model, which shed light on the various aspects of the therapists’ clinical experience as creative arts therapists. The follow-up interviews were analyzed through thematic analysis and informed by Lakoff’s views on metaphor. The results suggest that, at the time, the therapists were preoccupied with the viability of the treatment, considering their little experience in remote therapy and the need to incorporate their specific art medium into the therapeutic setting. The results also highlight specific similarities and differences between art and drama therapists. The follow-up reinforces the preliminary findings, reiterating the framing of this period as a liminal space, from which the therapists emerged personally and professionally transformed, and more resilient.
重温第一次封锁两年后艺术治疗师和戏剧治疗师在学校工作的经历:一个定性的试点
这篇论文是在一项初步研究之后发表的,该研究考察了6名(n=6)创意艺术治疗师(3名艺术治疗师和3名戏剧治疗师)如何应对以色列因冠状病毒大流行而首次封锁期间学校向远程治疗的过渡。初步研究探讨了治疗师在重返定期面对面会议后对在线工作的体验和看法。目前的论文增加了一个后续采访,考察了两年后他们对这一时期的看法。第一组访谈采用六关键模型进行分析,该模型揭示了治疗师作为创造性艺术治疗师的临床经验的各个方面。后续访谈采用主题分析法进行分析,并借鉴拉科夫的隐喻观。结果表明,当时,治疗师们专注于治疗的可行性,考虑到他们在远程治疗方面的经验很少,以及需要将他们特定的艺术媒介融入治疗环境。研究结果还突出了艺术治疗师和戏剧治疗师之间的具体异同。后续行动强化了初步发现,重申了这一时期是一个临界空间的框架,治疗师从中个人和专业转变,变得更有韧性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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