Ruptures in the American Psyche: Containing Destructive Populism in Perilous Times

IF 0.7 3区 心理学 Q2 PSYCHOLOGY, PSYCHOANALYSIS
Henry J. Friedman
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引用次数: 2

Abstract

fungi living symbiotically with their roots and the rhizomes of other herbaceous plants, they are able to secretly exchange essential nutrients. Mother trees can send their carbon to understory plants, increasing their chances of survival. The metaphor is illuminating. For survival, an invisible and vast network of communication relies on the foreign elements that are the filaments of mycelia for trees, true intermediaries as words are for humans. We almost see the chains of signifiers—even for us, largely foreign, that is, unconscious—that constitute the meaning that we are, and through which, through moments of at-one-ment or (Virginia Woolf’s) moments of being, we are born to ourselves from our prereflexive selves as subjects. This profound ethical sentiment of humanity as deeply immersed in nature and sharing the fate of all living beings is the gift Moss gives us with his book. Of course, the plague is not just the pandemic, but the plague in Igmar Bergman’s movie The Seventh Seal, a figure of death.
美国人心灵的破裂:在危险时期遏制破坏性的民粹主义
真菌与它们的根和其他草本植物的根茎共生,它们能够秘密地交换必需的营养物质。母树可以将它们的碳传递给林下植物,增加它们的生存机会。这个比喻很有启发性。为了生存,一个无形而庞大的交流网络依赖于外来元素,即树木的菌丝,真正的媒介,就像人类的语言一样。我们几乎看到了符号链——甚至对我们来说,很大程度上是陌生的,也就是说,无意识的——构成了我们存在的意义,通过这些意义,通过同一时刻或(弗吉尼亚·伍尔夫的)存在时刻,我们从作为主体的自反性自我中诞生出来。这种人类深深沉浸在自然之中,与所有生物共命运的深刻伦理情操,是莫斯用他的书给我们的礼物。当然,鼠疫不仅仅是流行病,而是伊格玛·伯格曼的电影《第七封印》中的瘟疫,一个死亡的形象。
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来源期刊
Psychoanalytic Quarterly
Psychoanalytic Quarterly PSYCHOLOGY, PSYCHOANALYSIS-
CiteScore
1.60
自引率
16.70%
发文量
46
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