Ildikó Enyedi: Testről és lélekről •

Abstract

This article is about Ildiko Enyedi's film “Testről és lélekről”. It proposes a semiotic analyse. Its thematic frame is a theory of the fantastic literature and film and refers to Tzvetan Todorov (part 1). Following Roand Barthes “S/Z” it discusses the codes in the film, the sequences and spaces in the film (part 2). In the next part the composition of the film comes into play (e. g. repetition, analogy). The fourth part is dedicated to the uncanny and fantastic element that are created by a lack of knowledge about the world in the and the figures of the movy. The article refers to Freud's “Traumdeutung”. Part 5 analyses the funktion of silence in the film on several levels (level of narrating, communication of the figures in the film). The film is seen in a post-romantic tradition which is in-written in “classical modernism”.