Digital Storytelling and Creative Destruction

Q1 Arts and Humanities
Bahram
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引用次数: 0

Abstract

Abstract:Digital storytelling in part creates its discourse over the ruins of dysfunctional and outmoded practices in storytelling. Perhaps it is with this deconstruction of the traditional narrative that we are able to invite the free-floating postures of interactivity such as synchronicity, level of control, and collectivity in digital storytelling. This article is the representation of my artistic experience of such deconstruction, which also depicts the permutation of my understanding of works of art as a self-destructive medium of storytelling. In this text, I portray the possibility of structuring a liminal space in which language is both present and absent, while a reader could spontaneously realize the inaction of subjectivity and disruption of intentions in communicating with the story.
数字故事讲述与创造性破坏
摘要:数字叙事在一定程度上是在功能失调和过时的叙事实践的废墟上创造话语的。也许正是通过这种对传统叙事的解构,我们才能够邀请互动性的自由浮动姿态,如同步性、控制水平和数字叙事中的集体性。这篇文章是我对这种解构的艺术体验的再现,也描绘了我对艺术作品作为一种自我毁灭的叙事媒介的理解的排列。在这篇文章中,我描绘了构建一个阈限空间的可能性,在这个空间中,语言既存在又不存在,而读者可以自发地意识到主体性的不作为和与故事交流的意图的中断。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Storytelling, Self, Society
Storytelling, Self, Society Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
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0
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