Publics and Their Health: La Grande Manifestive, Aurillac, 2021

IF 0.3 2区艺术学 0 THEATER

CONTEMPORARY THEATRE REVIEW Pub Date : 2022-10-02 DOI:10.1080/10486801.2022.2118725

David Calder

引用次数: 0

Abstract

Abstract In 2021, the International Festival of Street Theatre in Aurillac, France, was cancelled for the second consecutive summer. Amidst the ensuing furore, street theatre artists and their advocates risked conflating public health measures with the oppressive policies of the security state. This essay critically examines the underlying assumptions at work in these arguments and insists on the importance of public health to the defence of public space.

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公众及其健康：《格兰德宣言》，Aurillac，2021

2021年，在法国奥里亚克举办的国际街头戏剧节连续第二个夏天被取消。在随后的愤怒中，街头戏剧艺术家和他们的支持者冒着将公共卫生措施与安全国家的压迫政策混为一谈的风险。本文批判性地考察了这些论点中起作用的基本假设，并坚持公共卫生对公共空间防御的重要性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

CONTEMPORARY THEATRE REVIEW THEATER-

CiteScore

0.50

自引率

0.00%

发文量

期刊介绍： Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.