Erecting the “Comfort Women” Memorials: From Seoul to San Francisco

IF 0.1 0 ART
Rangsook Yoon
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引用次数: 2

Abstract

Abstract This article outlines the history of the “comfort woman” statue from its emergence in Seoul to its incarnations in the United States up to the present moment. Its aim is to explore the debates regarding its installations and to account for shifting discursive fields with its changing localities from South Korea to the United States. Particular attention is paid to the controversies concerning “comfort woman” statues erected in Glendale, California; Southfield, Michigan; Brookhaven, Georgia; and San Francisco, California. In all cases, the cities encountered enormous pressures from the Japanese government, ultra-right-wing politicians and citizen groups. Resistance on the part of the Japanese government suggests ongoing efforts to systematically deny the wartime atrocities performed on women by its imperial predecessor and to silence the victim-survivors. The installations of the ‘comfort woman’ statues in the United States offer an opportunity for Asian diasporic communities with entangled World War II histories to resist such silencing and weave their own interstitial narratives.
树立“慰安妇”记忆:从首尔到旧金山
摘要本文概述了“慰安妇”雕像从出现在首尔到在美国化身到现在的历史。它的目的是探索关于其装置的辩论,并解释从韩国到美国的地方变化的话语领域。特别值得注意的是关于在加利福尼亚州格伦代尔竖立的“慰安妇”雕像的争议;位于密歇根州布鲁克黑文、格鲁吉亚;以及加州的旧金山。这些城市都面临着来自日本政府、极右翼政客和市民团体的巨大压力。日本政府方面的抵抗表明,他们正在系统性地否认其帝国前任对女性犯下的战时暴行,并让受害者-幸存者保持沉默。“慰安妇”雕像在美国的装置,为有着纠缠不清的二战历史的亚洲流散社区提供了一个机会,让他们抵制这种沉默,编织自己的间隙叙事。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
De Arte
De Arte ART-
CiteScore
0.20
自引率
0.00%
发文量
7
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