The mechanical Turk: a short history of ‘artificial artificial intelligence’

IF 1.6 3区 社会学 Q1 ANTHROPOLOGY
Elizabeth Stephens
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引用次数: 3

Abstract

ABSTRACT This paper undertakes a comparative analysis of the famous eighteenth-century chess-playing automaton known as Mechanical Turk and the Amazon microwork platform of the same name. The original Mechanical Turk was a life-sized automaton made in 1770 and publicly exhibited until the mid-1800s, and which played games of chess with the audience. Its movements were fully mechanical, but even more remarkably, it was promoted as the world’s first ‘thinking machine,’ deciding each move of the chess pieces for itself. From the outset, it was widely assumed that the Mechanical Turk was a hoax, and that a human must be hidden inside the machine, directing the game. But it was a clever hoax whose trick was never discovered, and widely admired as such. Amazon’s Mechanical Turk job platform functions in a similarly open way, this paper argues, as a sort of open technological hoax. Mechanical Turk provides a source of human cognitive labour that can be used to invisibly operate digital systems and programs that are widely assumed to be fully automated. Artificial intelligence is a twenty-first century thinking machine, it requires a human brain to make it work. Amazon’s Mechanical Turk is a marketplace in which companies can hire piecemeal cognitive labour to patch gaps and train programs to keep those systems functioning. Providing what Jeff Bezos has called ‘artificial artificial intelligence,’ Amazon’s Mechanical Turk, like Kempelen’s automaton, both draws attention to and obfuscates the limits of automation and artificial intelligence. Taking the two iterations of the Mechanical Turk as rich cultural figures of automation for their respective periods, this paper will argue that the open secret of their artificial artificial intelligence is itself a form of misdirection that hides other, more successfully guarded secrets: the true extent of that labour, and the conditions in which it is performed.
机械土耳其人:“人工智能”简史
本文对18世纪著名的国际象棋机器人“土耳其机器人”和同名的亚马逊微工作平台进行了比较分析。最初的机械土耳其人是一个真人大小的自动机,于1770年制造,直到19世纪中期才公开展出,并与观众下国际象棋。它的动作完全是机械的,但更引人注目的是,它被宣传为世界上第一台“会思考的机器”,可以自己决定棋子的每一步棋。从一开始,人们就普遍认为机械土耳其人是一个骗局,一定有一个人藏在机器里面,指挥着游戏。但这是一个巧妙的骗局,其诡计从未被发现,并因此受到广泛赞赏。本文认为,亚马逊的Mechanical Turk工作平台以类似的开放方式运行,就像一种公开的技术骗局。机械土耳其人提供了一种人类认知劳动的来源,可以用来无形地操作被普遍认为是全自动的数字系统和程序。人工智能是21世纪的思考机器,它需要人类的大脑来运作。亚马逊的Mechanical Turk是一个市场,在这个市场上,公司可以雇佣零碎的认知劳动力来填补空白,并培训程序来保持这些系统的运转。亚马逊的土耳其机器人提供了杰夫·贝佐斯(Jeff Bezos)所说的“人工智能”(artificial artificial intelligence),就像肯佩伦的机器人一样,既吸引了人们对自动化和人工智能局限性的关注,又模糊了它们的界限。将机械土耳其人的两次迭代作为各自时期丰富的自动化文化人物,本文将认为,他们的人工智能的公开秘密本身就是一种误导,隐藏了其他更成功地保守的秘密:这种劳动的真实程度,以及它的执行条件。
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来源期刊
Cultural Studies
Cultural Studies Multiple-
CiteScore
3.50
自引率
6.70%
发文量
0
期刊介绍: Cultural Studies is an international journal which explores the relation between cultural practices, everyday life, material, economic, political, geographical and historical contexts. It fosters more open analytic, critical and political conversations by encouraging people to push the dialogue into fresh, uncharted territory. It also aims to intervene in the processes by which the existing techniques, institutions and structures of power are reproduced, resisted and transformed. Cultural Studies understands the term "culture" inclusively rather than exclusively, and publishes essays which encourage significant intellectual and political experimentation, intervention and dialogue.
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