E. Heredia, Péter Bíró, Sylviane Boucher Le Landais
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引用次数: 2
Abstract
In this paper we present a review about the murals located in the Temples of the Descending God (Temple 5) and the Frescos (Temple 16) at the pre-Columbian city of Tulum, Quintana Roo. We first study some of the characters dressed as gods, as Chahk, K’awil, Quetzalcóatl, and Xólotl. Secondly, we analyze the ritual paraphernalia, mostly composed of ceramic objects in the form of effigy urns, incense burners, idols, containers with offerings of corn in different preparations, and large jars used to contain liquids, presenting correspondences with the archaeological record. Afterwards, we analyze the intertwined serpents, as well as the vegetal elements that we identify with the flower and fruits of balché tree. Finally, these data are integrated in order to interpret the meaning of the Tulum murals in relation to the practice of bending over the maize stalks in the autumn, and also to the first fruits harvest, which coincides with the flowering of the balché tree and the beginning of the harvest of tajonal honey in Yucatán.
在本文中,我们对位于金塔纳罗奥州图伦市前哥伦布时期的降下神神庙(神庙5)和壁画(神庙16)的壁画进行了回顾。我们首先研究了一些装扮成神的角色,如Chahk, K 'awil, Quetzalcóatl和Xólotl。其次,我们分析了仪式用具,主要是由陶制物品组成的雕像瓮,香炉,偶像,装有不同准备的玉米的容器,以及用于盛放液体的大罐子,与考古记录相对应。然后,我们分析了缠绕在一起的蛇,以及我们认同的植物元素,balch树的花和果实。最后,将这些数据整合起来,以解释图卢姆壁画的含义,这些壁画与秋天弯腰弯腰的玉米秸秆有关,也与第一次收获的果实有关,这与balch树的开花和Yucatán的tajonal蜂蜜的收获开始相吻合。