Lionel Trilling’s Jewish “Reverberation” of February 1944

IF 0.1 3区 文学 0 LITERATURE, AMERICAN
R. Benjamin
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Abstract

In February 1944, the Contemporary Jewish Record published the responses of eleven young Jewish intellectuals under forty to questions about their identity as Jews. The most “visceral” and rancorous response, rationalizing his “ minimal” Jewish involvement, came from Lionel Trilling. The fact that Trilling, nearing age forty, responded at all and responded so viscerally seemed out of character. Trilling in his writing and persona was known as gracious, reserved, balanced. He had barely addressed Jewish concerns since 1931. As the author of acclaimed works on Matthew Arnold and E.M. Forster and close to becoming the first tenured Jew in Columbia’s English department, he seemed to have transcended anxieties as a Jew he had expressed earlier in his writing. This essay will try to explain the disparity between what Trilling seemed to be in 1944 and how he responded. To do so, it will analyze the long-fuse to Trilling’s 1944 outburst and then the outburst itself. It will judge Trilling and like-minded Jewish contemporaries within the three cultural-historical contexts of the mid to late 1920s, the 1930s, and the early to mid 1940s. In these contexts, Trilling and the Zionist writer Ludwig Lewisohn were adversaries. Their prolonged, ultimately nasty feud will be signified.
莱昂内尔·特里林1944年2月的犹太歌曲《回响》
1944年2月,《当代犹太人记录》(Contemporary Jewish Record)发表了11位40岁以下的年轻犹太知识分子对他们犹太人身份问题的回答。莱昂内尔·特里林(Lionel Trilling)对此做出了最“发自肺腑”、最充满敌意的回应,为自己与犹太人的“最小”牵连进行了辩解。事实上,年近四十的特里林还在回应,而且是发自内心地回应,这似乎不符合他的性格。特里林在他的作品和人物形象中以亲切、含蓄、平衡著称。自1931年以来,他几乎没有回应过犹太人的担忧。他写过关于马修·阿诺德(Matthew Arnold)和E.M.福斯特(E.M. Forster)的广受好评的作品,并差点成为哥伦比亚大学英学系第一位终身教职的犹太人,他似乎已经超越了他在早期作品中表达的作为犹太人的焦虑。这篇文章将试图解释特里林在1944年的样子和他的反应之间的差异。为了做到这一点,它将分析1944年特里林爆发的导火索,然后分析爆发本身。它将在20世纪20年代中后期,30年代和40年代早期到中期的三个文化历史背景下对特里林和志同道合的犹太同时代人进行评判。在这些背景下,特里林和犹太复国主义作家路德维希·路易松是对手。他们长期的、最终令人讨厌的宿怨将会显露出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.30
自引率
0.00%
发文量
15
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