Music in Vladan Radovanović’s ‘Art Synthesis’ Works

IF 0.3 2区 艺术学 0 MUSIC
Melita Milin
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引用次数: 1

Abstract

Vladan Radovanović (Serbian Cyrillic: Владан Радовановић, b. 1932) is an intriguing creative figure––a composer and a visual artist, author of literary prose as well as a poet, passionately striving to bring together all of those artistic disciplines into his personal and original approach to synthesising art. Right from the very beginning of his creative work, Radovanović systematically explored the possibilities of expressing himself in different individual arts. At the same time, he was particularly attracted to the idea of extending the limits of art, as well as to various modalities of synthesising them. Since both of those trajectories in Radovanović’s creativity began in his early youth, which he kept developing throughout his life, one may surmise that this was his long-term plan, and that these were strategies that simultaneously developed in multiple directions. This article provides a concise survey of the main trajectories in Radovanović’s accomplishments in monomedia and polymedia arts, focusing on an analytical discussion of the artist’s approach to music in his ‘Art Synthesis’ works.
弗拉丹·拉多瓦诺维奇“艺术合成”作品中的音乐
Vladan Radovanović(塞尔维亚西里尔字母:ВладанРалдоваинавиõ,b.1932)是一位有趣的创作人物,他是一位作曲家、视觉艺术家、文学散文作家和诗人,热情地努力将所有这些艺术学科结合到他个人和原创的综合艺术方法中,拉多万诺维奇系统地探索了在不同的个人艺术中表达自己的可能性。与此同时,他特别被扩大艺术极限的想法所吸引,也被各种综合艺术极限的方式所吸引。由于拉多万诺维奇创造力的这两条轨迹都始于他年轻时,他一生都在不断发展,人们可以猜测这是他的长期计划,这些策略同时朝着多个方向发展。本文简要介绍了拉多万诺维奇在单媒体和多媒体艺术方面取得成就的主要轨迹,重点分析了这位艺术家在“艺术综合”作品中的音乐方法。
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
48
期刊介绍: Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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