Putting out fires: The varying temporalities of disasters

IF 2 2区 社会学 0 LITERATURE
Maricarmen Hernández
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引用次数: 2

Abstract

How does a community with a history punctuated by responding to disasters understand the slow risk posed by industrial toxic exposure? Drawing on 13 months of ethnographic fieldwork in a contaminated informal settlement in Esmeraldas, Ecuador, I explore the neighbors’ understanding of toxicity as mediated by previous experience with disaster and displacement. Esmeraldas is home to the largest refinery in Ecuador. Located only meters away from smoke stacks and other industrial structures, 50 Casas is one of the neighborhoods in closest proximity to the petrochemical complex. Since their arrival in the area, residents of the neighborhood have faced a variety of disasters ranging from earthquakes and intermittent floods to industrial accidents. I present a case in which the conjunction of temporally distinct risks has shaped the community's protective strategies to focus on the urgency of impending disasters, while deprioritizing the mitigation of slower contaminants. Drawing on the concept of slow violence, I show, first, that a conjunction of threats with varying temporalities may have the unintended consequence of minimizing the danger of slower threats, second, that risk perceptions are intimately tied to personal experience and history, and third, that residents mobilize their identity as “contaminated citizens” to demand infrastructural works aimed at minimizing the danger of sudden disasters.

灭火:灾难的不同时间
一个有应对灾难历史的社区如何理解工业有毒物质暴露所带来的缓慢风险?我在厄瓜多尔埃斯梅拉达斯一个受污染的非正式定居点进行了为期13个月的人种学田野调查,通过以往的灾难和流离失所经历,我探索了邻居对毒性的理解。埃斯梅拉达斯是厄瓜多尔最大的炼油厂所在地。50 Casas距离烟囱和其他工业建筑只有几米远,是最接近石化综合设施的社区之一。自从他们来到这个地区,这个社区的居民就面临着各种各样的灾难,从地震、间歇性洪水到工业事故。我提出了一个案例,在这个案例中,时间上不同的风险结合在一起,形成了社区的保护战略,将重点放在即将发生的灾害的紧迫性上,同时不优先考虑减缓较慢的污染物。利用慢暴力的概念,我展示了,首先,具有不同时间性的威胁的结合可能会产生意想不到的后果,使慢威胁的危险最小化;第二,风险感知与个人经验和历史密切相关;第三,居民动员他们作为“受污染公民”的身份,要求基础设施工程旨在最大限度地减少突发灾害的危险。
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来源期刊
Poetics
Poetics Multiple-
CiteScore
4.00
自引率
16.00%
发文量
77
期刊介绍: Poetics is an interdisciplinary journal of theoretical and empirical research on culture, the media and the arts. Particularly welcome are papers that make an original contribution to the major disciplines - sociology, psychology, media and communication studies, and economics - within which promising lines of research on culture, media and the arts have been developed.
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