DUBROVNIK BY TADIJANOVIĆ - A SPACE OF INTIMATE IN THE SERVICE OF THE ETERNAL

Tonći Lazibat
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Abstract

From the very beginnings of its founding, the city has had a great significance: started as the center of social life, in a diachronic sense it has become a place of gathering of different centers of power, the public space, as well as the space of the private - by weaving collective and individual memory into it. The latter is recognized in Tadijanović’s Poems of Dubrovnik, a collection of fourteen poems for which the poet finds inspiration in the Town of Poets, over and over again, during the seventy- years time span. It is the city he loved from the very first moment, but in which he was loved as well, thus he often comes back in his thoughts, linking past, present and future. We have highlighted the four phases of his writing inspired by the Eternal City and have related the theme-motive background with the poet’s age. It is noticed that, in relation to the youthful and playful first love, the worries, the enthusiasm and the exhilaration, his later lyric is pervaded by philosophical concerns about the meaning of life, death, transience and the life’s drab, but he does not therefor diminish the importance of Dubrovnik. With his first and last poem he creates a kind of alpha and omega of his Dubrovnik opus, signifying Dubrovnik as one perfectly finished mindset, by its cyclical reminding on the circle and thus on the reproducibility of the life cycle: birth - life - death - rebirth (through re-readings of poems, in the poet’s case).
TADIJANOVIß的杜布罗夫尼克-为永恒服务的亲密空间
从一开始,这座城市就具有重大意义:从社会生活的中心开始,从历时的意义上说,它通过将集体和个人记忆编织在其中,成为不同权力中心、公共空间和私人空间的聚集地,一本十四首诗的合集,诗人在七十年的时间里一次又一次地在诗人之城找到了灵感。这是他从一开始就爱的城市,但在这座城市里,他也被爱着,因此他经常在脑海中出现,将过去、现在和未来联系在一起。我们着重论述了《永恒之城》对他创作的四个阶段的启发,并将主题动机背景与诗人的时代联系起来。值得注意的是,关于年轻顽皮的初恋、担忧、热情和兴奋,他后来的歌词充满了对生、死、短暂和生活单调意义的哲学关怀,但他并没有因此而削弱杜布罗夫尼克的重要性。在他的第一首也是最后一首诗中,他创造了一种杜布罗夫尼克作品的阿尔法和欧米加,通过循环提醒生命周期的再现性:出生-生命-死亡-重生(在诗人的情况下,通过重读诗歌),将杜布罗夫尼克视为一种完美完成的心态。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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