House of Cards: Leisure, Freedom, Authority, Revolution, and the Diary of Landon Carter

Q1 Arts and Humanities
Aram Goudsouzian, Todd H. Leedy, David Christopher Galindo, Kate Aguilar, Samantha White, S. Crawford, D. Sumner, Courtney L. Flowers, J. Howard, Keith Rathbone, T. Mielnik, Zachary R. Bigalke, Bonnie M. Hagerman, Ornella Nzindukiyimana, Andrew R. Bailey, Samuel Brady, R. Crepeau, C. P. Beene, Samuel X. Fleischer, Donal Howley, S. Wan, Aaron L. Haberman, Sheldon Anderson, Olaf Stieglitz, Matthew L. Mcdowell, R. Ravalli, Linda Levitt, Christina L. Hennessey, Ofer Idels, Robert Epling, Stephen H. Norwood, Conor Curran, Benjamin J. Sacks, Ronald A. Smith, Joseph Thompson, Charles Campisi, Charles H. Martin, A. Criblez
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引用次数: 0

Abstract

Abstract:Landon Carter, a wealthy planter in the Tidewater of Virginia during the eighteenth century, kept a diary that possesses great value for scholars of sport history. His writings showcase a wide emotional range, including white-hot rage and bubbling pathos. In his diary, Carter often decried the leisure habits of others, especially his son Robert Wormeley Carter, who constantly gambled on horses and cards. For Landon, if leisure was allowed to run wild, it threatened republican virtue, which was the basis of social authority and political power. Although Carter's diary is limited to the perspective of an elite, white, male planter from Virginia, his worldview was shaped by the assumptions of patriarchy and the institution of slavery. His lamentations about rampant games reflected his worries about his own corroding paternal authority—a private drama amid his larger, public anxieties about a crumbling social order during the era of the American Revolution.
纸牌屋:休闲、自由、权威、革命与兰登·卡特日记
摘要:18世纪,美国弗吉尼亚州的一位富有的种植园主兰登·卡特(Landon Carter)写了一本日记,这本日记对研究体育史的学者具有重要价值。他的作品展示了广泛的情感范围,包括白热化的愤怒和冒泡的悲情。在他的日记中,卡特经常谴责别人的休闲习惯,尤其是他的儿子罗伯特·沃姆利·卡特,他经常赌马和打牌。在兰登看来,如果放任休闲肆意发展,就会威胁到作为社会权威和政治权力基础的共和美德。尽管卡特的日记局限于一个来自弗吉尼亚的白人男性种植园精英的视角,但他的世界观是由父权制和奴隶制的假设所塑造的。他对猖獗的游戏的悲叹反映了他对自己日渐衰落的父亲权威的担忧——这是他对美国独立战争时期社会秩序崩溃的更大、更公开的焦虑中的一出私人戏剧。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of sport history
Journal of sport history Arts and Humanities-History
CiteScore
0.30
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0.00%
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