{"title":"Beyond the Indian Ocean Public Sphere","authors":"Chi P. Pham","doi":"10.1525/VS.2021.16.2.60","DOIUrl":null,"url":null,"abstract":"During the colonial period, particularly in the 1920s, Vietnamese intellectuals frequently debated Rabindranath Tagore’s Greater Indian, pan-Asian vision in their political exchanges. Drawing on scholarship on the rise of an Indian Ocean public sphere, this article analyzes periodicals covering Tagore in colonial Vietnam in order to explore alternative and less researched trajectories of contemporary Vietnamese nationalism. Specifically, it examines media coverage of Tagore’s works, ideas, personality, and appearance, and, in particular, his visit to Sài Gòn in 1929, to answer the question of how those depictions reflected and shaped different anticolonial imaginaries and ideological debates at the time. Radical and moderate forms of Vietnamese nationalism reflected both appreciation and criticism of Tagore’s views of Indian nationhood. The engagement of both moderate and radical Vietnamese intellectuals with Tagore’s work was thus an important early moment in the turn of Vietnamese intellectuals away from colonial models of nationalism toward those articulated by other colonized populations.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/VS.2021.16.2.60","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
During the colonial period, particularly in the 1920s, Vietnamese intellectuals frequently debated Rabindranath Tagore’s Greater Indian, pan-Asian vision in their political exchanges. Drawing on scholarship on the rise of an Indian Ocean public sphere, this article analyzes periodicals covering Tagore in colonial Vietnam in order to explore alternative and less researched trajectories of contemporary Vietnamese nationalism. Specifically, it examines media coverage of Tagore’s works, ideas, personality, and appearance, and, in particular, his visit to Sài Gòn in 1929, to answer the question of how those depictions reflected and shaped different anticolonial imaginaries and ideological debates at the time. Radical and moderate forms of Vietnamese nationalism reflected both appreciation and criticism of Tagore’s views of Indian nationhood. The engagement of both moderate and radical Vietnamese intellectuals with Tagore’s work was thus an important early moment in the turn of Vietnamese intellectuals away from colonial models of nationalism toward those articulated by other colonized populations.