{"title":"D’un impossible retour: théâtralité et spectralité dans Juste la fin du monde de Xavier Dolan","authors":"Dominique D. Fisher","doi":"10.3828/cfc.2019.11","DOIUrl":null,"url":null,"abstract":"Juste la fin du monde est une reecriture filmique de la piece de Jean-Luc Lagarce. Ce film en huis clos se distingue des autres films de Xavier Dolan par son economie narrative, par la fragmentatio...","PeriodicalId":53563,"journal":{"name":"Contemporary French Civilization","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-09-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary French Civilization","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/cfc.2019.11","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Juste la fin du monde est une reecriture filmique de la piece de Jean-Luc Lagarce. Ce film en huis clos se distingue des autres films de Xavier Dolan par son economie narrative, par la fragmentatio...